Il cinema spagnolo protagonista della 70ma edizione della Seminci
- Isabel Coixet, Fernando Franco, Judith Colell, Lucía Aleñar e Diego San José sono alcuni dei nomi spagnoli presenti al festival, che proietterà 16 lungometraggi di produzione nazionale

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Sixteen Spanish-produced features (ten of which will be world-premiered) will take part in the 70th edition of Seminci – Valladolid International Film Week, which will kick off on 24 October with a screening of Three Goodbyes [+leggi anche:
recensione
trailer
scheda film], the latest work by Catalonian helmer Isabel Coixet. The plan is for two additional unreleased Spanish productions to be added imminently to the Official Section, one of which will bring the gathering to a close on 1 November. The festival will also host the premiere of the series Yakarta, the new collaboration between award-winning director Diego San José and actor Javier Cámara, following the Vote for Juan saga (see the news).
The competition section, in which the titles will be duking it out for the Golden Spike, includes the new movies by Fernando Franco, Subsuelo (see the news), alongside the feature debut by Carlos Saiz, the road movie Lionel, and the new feature by Pere Vilà Barceló, When a River Becomes the Sea [+leggi anche:
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intervista: Pere Vilà Barceló
scheda film], the lead actor of which, Àlex Brendemühl, won an award at the Karlovy Vary International Film Festival. The new outing by Judith Colell, Frontera (see the news), will be presented out of competition.
In addition, the gathering headed up by José Luis Cienfuegos will include three Spanish titles in its Meeting Point sidebar: the animation Olivia and the Invisible Earthquake [+leggi anche:
intervista: Irene Iborra
scheda film] by Irene Iborra, which takes a look at evictions through the eyes of a little girl, and which took part in Annecy; the feature debut by Lucía Aleñar, Forastera [+leggi anche:
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scheda film], which took home the FIPRESCI Prize from the most recent Toronto Film Festival; and the Gabriel Azorín flick Last Night I Conquered the City of Thebes [+leggi anche:
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intervista: Gabriel Azorín
scheda film], which premiered in Venice’s Giornate degli Autori.
Meanwhile, Tiempo de Historia (lit. “Time of History”), a section devoted to non-fiction titles, brings together two works in competition: the feature-length directorial debut by actress Carolina Yuste (Undercover [+leggi anche:
trailer
scheda film]), Este cuerpo mío, directed together with Afioco Gnecco (after the pair previously teamed up to helm the Goya-nominated short film of the same name), about the acceptance process surrounding the boy’s gender transition as well as the friendship they share; and Yrupê [+leggi anche:
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scheda film], a documentary originally premiered at Visions du Réel, in which Candela Sotos follows in the footsteps of her great uncle Guillermo Fernández-Zúñiga, a pioneer of scientific films in Spain, constructing a movie halfway between science and poetry, which is as unique as the Amazonian aquatic flower that lends it its title. Out of competition, we find David Delfín. Muestra tu herida, a doc about the fashion designer who passed away in 2017, directed by César Vallejo and Ángela Gallardo as well as journalist Rafael Muñoz.
In the Alquimias (lit. “Alchemies”) strand, the festival will present the latest creations by artists such as Ana Serret, who blurs the line between dream and reality in Apuntes para una ficción consentida, the story of a Swiss actress lost in Madrid (see the news); and María Ruido, who in the medium-length essay film La fábrica y el sexo tackles the representation and objectification of women in the media, particularly on Italian TV.
Lastly, standing out among the special screenings are Leo & Lou, the feature debut by Carlos Solano, which depicts the journey of two characters who don’t seem to fit into society and who are bound by fate; Pendaripén. La historia silenciada del pueblo gitano by Alfonso Sánchez (El mundo es nuestro [+leggi anche:
trailer
scheda film]), which broaches the 600 years of history of the Roma people in Spain; Bella, an animated flick by Manuel H Martín and Amparo Martínez Barco, which constructs a fable about violence against women; and the documentary Las gafas de Isabel Coixet by Santiago Tabernero, offering a broad overview of the world of the filmmaker who is set to open the festival.
(Tradotto dallo spagnolo)
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