The final preparations are underway for the 13th edition of War on Screen (running 6 – 12 October), which is the only international festival to focus on filmmakers from all around the world who look to decipher, revisit and transform the depiction of war on screen, and who are only too aware of the vital need to commemorate and reflect upon the causes and consequences of all wars, whether historical conflicts or more current events, such as the situation in Ukraine or Gaza.

This year, the event will welcome Ukrainian maestro Sergueï Loznitsa as its guest of honour, who’ll be delivering a masterclass on 9 October and whose three films are scheduled for screenings (notably his brilliant Cannes competitor, Two Prosecutors [+leggi anche:
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intervista: Sergei Loznitsa
scheda film]). The festival’s opening and closing slots have been entrusted respectively to Swedish director Tarik Saleh’s Cannes competitor Eagles of the Republic [+leggi anche:
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intervista: Tarik Saleh
scheda film], and to Abd Al Malik’s Furcy.

Eleven feature films will battle it out in competition, six of which are fiction films, including In the Land of Arto [+leggi anche:
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intervista: Tamara Stepanyan
scheda film] by French-Armenian director Tamara Stepanyan (discovered on Locarno’s Piazza Grande), My Father’s Shadow [+leggi anche:
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intervista: Akinola Davies Jr.
scheda film] by British-Nigerian filmmaker Akinola Davies Jr. (awarded a Caméra d'Or Special Mention in Cannes), Lost Land [+leggi anche:
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scheda film] by Japan’s Akio Fujimoto (the winner of the Special Jury Prize in Venice’s Orizzonti line-up – notably co-produced by France and Germany), Le gâteau du président by Iraq’s Hassan Hadi (awarded the Caméra d'Or in Cannes), Under the Volcano [+leggi anche:
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intervista: Damian Kocur
scheda film] by Poland’s Damian Kocur (unveiled in Toronto’s Centrepiece section last year) and Edge of Night [+leggi anche:
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scheda film] by Turkish-German director Türker Süer (unveiled in Venice’s Orizzonti Extra line-up last year).

The competition also boasts an animated movie (The Square by South Korea’s Bo-Sol Kim – the winner of Annecy’s Contrechamp Jury Prize) and four documentaries: the French-Belgian production Imago [+leggi anche:
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intervista: Déni Oumar Pitsaev
scheda film] by Chechnya’s Déni Oumar Pitsaev (which scooped the French Touch Jury Prize in Cannes’ Critics’ Week, as well as the Golden Eye on the Croisette), Militantropos [+leggi anche:
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intervista: Yelizaveta Smith, Alina Go…
scheda film] by Ukrainian directors Alina Gorlova, Yelizaveta Smith and Simon Mozgovyi (screened in the Directors’ Fortnight), With Hasan in Gaza [+leggi anche:
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intervista: Kamal Aljafari
scheda film] by Palestine’s Kamal Aljafari (awarded the Europa Cinemas Label in Locarno) and Under the Flags, The Sun [+leggi anche:
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scheda film] by Paraguay’s Juanjo Pereira (co-produced by France and Germany, among other countries, and unveiled in the Berlinale’s Panorama line-up).

Two animated movies stand out among the unique works gracing the Points of View section (Allah Is Not Obliged [+leggi anche:
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scheda film] by Zaven Najjar and the 1986 title When the Wind Blows by Jimmy T. Murakami), together with a wonderful crop of Cannes-screened films (Palme d’Or winner It Was Just An Accident [+leggi anche:
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intervista: Jafar Panahi
scheda film] by Iran’s Jafar Panahi, Jury Prize winner Sirat [+leggi anche:
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intervista: Óliver Laxe
scheda film] by Spain’s Oliver Laxe and the documentary Orwell: 2+2 = 5 [+leggi anche:
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scheda film] by Haiti’s Raoul Peck, among other works) and the movie Marco [+leggi anche:
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intervista: Aitor Arregi e Jon Garaño
scheda film] by Spanish directors Aitor Arregi and Jon Garaño, to name just a few.

The remainder of the festival’s ample programme includes a focus on Japanese Fantasy (from the angle of "how to express and heal trauma") and sections entitled "Rock’n’War" (notably showcasing Kneecap [+leggi anche:
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intervista: Red Carpet @ European Film…
scheda film] by Irish-British director Rich Peppiat), "Shared Recollections" (screening the documentary Sous la terre by Poland’s Ania Szczepanska, among other works), "Natural Habitat, Paradoxes and Emergencies #4" and "The Press: A daily battle for democracy".

The festival line-up also boasts a short films competition and a “Young Audience” section, screening Ugo Bienvenu’s animated movie, Arco [+leggi anche:
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scheda film] (awarded the Crystal for Best Feature Film in Annecy).