Tomorrow night, Mascha Schilinski’s Cannes Jury Prize winner, Sound of Falling [+leggi anche:
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intervista: Mascha Schilinski
scheda film] (set to be distributed in France on 7 January by Diaphana) will open the 30th Paris German Film Festival – unspooling between 8 and 12 October in Paris’ Arlequin cinema – in the presence of its director. Organised by German Films in cooperation with the Goethe-Institut and with support from Arte and the OFAJ, the event will showcase a selection of the best of recent German film production.

Stealing focus among the 11 feature films gracing the Panorama line-up are Amrum [+leggi anche:
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scheda film] by Fatih Akin (unveiled in the Cannes Première section and scheduled for release in France on 24 December by Dulac Distribution) and four films discovered in this year’s Berlinale: Julia Lemke and Anna Koch’s documentary Circusboy [+leggi anche:
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intervista: Julia Lemke, Anna Koch
scheda film] (awarded a Special Mention in the Generation Kplus section and presented in a Young Audience séance) and three fiction films which dazzled in Berlin’s Panorama line-up, namely The Good Sister [+leggi anche:
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intervista: Sarah Miro Fischer e Marie…
scheda film] by Sarah Miro Fischer (also screened in San Sebastián’s Zabaltegi-Tabakalera section) and the documentaries The Moelln Letters [+leggi anche:
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intervista: Martina Priessner
scheda film] by Martina Priessner (the winner of the Audience Award in Berlin) and I Want It All. Hildegard Knef [+leggi anche:
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scheda film] by Luzia Schmid.

Likewise set for the showcase are Vena [+leggi anche:
intervista: Chiara Fleischhacker
scheda film] by Chiara Fleischhacker (notably triumphant in Turin and Hambourg), Impatience of the Heart [+leggi anche:
intervista: Lauro Cress
scheda film] by Lauro Cress (victorious at this year’s Max Ophuls Prize), Rain Fell on the Nothing New [+leggi anche:
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scheda film] by Steffen Goldkamp (unveiled in Karlovy Vary’s Proxima competition and due to close the Parisian gathering), Smell of Burnt Milk [+leggi anche:
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intervista: Justine Bauer
scheda film] by Justine Bauer (awarded the Jury Prize in Mons’ International Love Film Festival), Clouds Are Made of Rain by Benjamin Kramme, and Felix Golenko’s documentary Yumi – The Whole World (telling the story of law students from the South Pacific who take their battle against climate change to the most supreme court in the world by way of a historic UN resolution).

In celebration of its 30th anniversary, the Germany Film Festival will also screen Oh Boy [+leggi anche:
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intervista: Jan Ole Gerster
scheda film] by Jan-Ole Gerster (2013), while this year’s Focus will be dedicated to Goethe, foregrounding Sad Jokes [+leggi anche:
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intervista: Fabian Stumm
scheda film] and Bones and Names [+leggi anche:
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scheda film], directed by and starring Fabian Stumm (who’ll deliver a masterclass on 10 October).

The festival line-up isn’t lacking in short films either, with 11 due for presentation in Special Screenings, including some of the best films to come out of German film schools of late (Next Generation) and the best short films lasting seven minutes or less (Short Tiger Award).

German and French film industry professionals will likewise be flocking to Paris this week for The French-German Film Meetings (organised by German Films and Unifrance in league with the French-German Film Academy), which are taking place at the Goethe-Institut on 8 and 9 October with a number of debates jostling on the agenda (the programme can be found here).