Between 6 and 15 March, the International Film Festival and Forum on Human Rights (FIFDH) will becomes the repository for the worries of an increasingly inward-looking world. Uniting activists, filmmakers, journalists and artists - including French actress and activist Adèle Haenel, Italian journalist and researcher Francesca Albanese and French filmmaker Claire Denis, who’ll be presenting her latest film The Fence [+leggi anche:
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intervista: Claire Denis
scheda film] at the festival and to whom the Swiss Film Archive will be dedicating a retrospective - the gathering will open debate on the worrying rise of authoritarianism which is having a particularly direct impact on people from minority groups.

One particular film exploring this subject-matter is The Meloni Case, directed by French-Italian journalist Anna Bonalume and French director Jérémy Frey, and screening in a world premiere. As its title implies, the film examines the danger posed by the Italian Prime Minister, her Brothers of Italy party and her ideology vis-à-vis democracy and civil rights. Civil rights are also central to Laundry [+leggi anche:
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intervista: Cato Kusters
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Abuses and the erosion of the world order are likewise at the heart of this year’s FIFDH, by way of two emblematic movies: the historical drama Palestine 36 [+leggi anche:
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Last but not least, the climate emergency broached through the prism of citizen-led action and other more intimate forms of engagement will notably be explored by Portuali (Focus Competition) by young Italian director Perla Sardella, which follows the struggles of dock workers in Genoa; Mailin by Argentina’s María Silvia Esteve, probing sexual abuse within the church; Black Water [+leggi anche:
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intervista: Natxo Leuza
scheda film] by Spain’s Natxo Leuza, and A Fox Under a Pink Moon by Iranian director Mehrdad Oskouuei and young Afghan artist Soraya Akhalaghi, who also toplines the film. These three titles are selected in the Creative Documentaries Competition, which will also showcase the poignant movie Molly vs the Machine by British director Marc Silver, while Traces by Ukrainian directors Alisa Kovalenko and Marysia Nikitiuk is screening in the Focus Competition.

A significant number of European productions and co-productions have been selected in the festival’s various competitions this year, alongside the afore-mentioned films. The Fiction Competition will notably boast Lost Land [+leggi anche:
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In terms of documentaries, the competition will notably platform Letters from Wolf Street [+leggi anche:
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Last but not least, the Focus line-up will further consist of French film Belleville nous verra toujours danser by Hugo Sobelman, Swiss works Elephants & Squirrels [+leggi anche:
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