Toronto annonce le programme de ses sections Discovery et Midnight Madness
par David Katz
- La première section accueille 12 productions européennes en avant-première mondiale ; la seconde, réservée aux films de genre, la première nord-américaine de la sensation cannoise The Substance

Cet article est disponible en anglais.
It’s beginning to look a lot like festival season. The autumn’s array of new European cinema comes into greater focus with the announcement of the Toronto International Film Festival’s Discovery strand, this year showcasing 24 premieres from 25 countries. And there’s also the matter of TIFF’s audience favourite Midnight Madness section, with Coralie Fargeat returning for opening night with her Cannes winner The Substance [+lire aussi :
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bande-annonce
interview : Coralie Fargeat
fiche film], after her career was launched there in 2017 with the visceral Revenge [+lire aussi :
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bande-annonce
interview : Coralie Fargeat
fiche film] (which is really worth catching up with if you haven’t seen it).
Of the 15 world and international premieres of European titles in Discovery, a few stand out as the most intriguing. Durga Chew-Bose, best known as a culture writer and author, is making her writing and directing debut with Bonjour Tristesse [+lire aussi :
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fiche film], the second major adaptation of the novella by Françoise Sagan; Otto Preminger directed the first in 1958, featuring an iconic turn by Jean Seberg. Sticking to its original timeframe of the 1950s, the glamorous cast is led by Lily McInerny, Claes Bang and Chloë Sevigny.
César Augusto Acevedo’s Horizonte [+lire aussi :
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fiche film] has featured on a number of festival prognostication lists this year; following up his 2015 Cannes Critic’s Week entry Land and Shade [+lire aussi :
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fiche film], his second feature finally makes its world premiere in the Discovery line-up. Its quite abstract plot description tells of the “ghosts” of a mother and a son (played by Claudio Cataño and Paulina García) who traverse a war-torn world to find the boy’s missing father. Laura Carreira’s On Falling [+lire aussi :
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interview : Laura Carreira
fiche film], coming from the unusual co-production duo of the UK and Portugal, follows a Portuguese warehouse worker in Scotland who seeks to improve her fortunes. It's notable for being produced by Ken Loach’s Sixteen Films, with the British social realist legend thought to have made his final feature with The Old Oak [+lire aussi :
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fiche film].
Giovanni Tortorici’s Diciannove [+lire aussi :
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fiche film] (produced by Luca Guadagnino) enjoys its international premiere, having already been selected in Venice’s Orizzonti competition; Sad Jokes [+lire aussi :
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interview : Fabian Stumm
fiche film] by Fabian Stumm also shows here after its Munich bow, where Cineuropa’s Savina Petkova offered a highly positive take.
Filmmakers in Discovery will be hoping to follow similar fortunes to some of its alumni, which include Christopher Nolan, Ildikó Enyedi, Alfonso Cuarón, Maren Ade, Yorgos Lanthimos and Barry Jenkins.
Else [+lire aussi :
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fiche film], from Thibault Emin, is Midnight Madness’s only other European offering; TIFF’s programming notes describe it as a “mesmerising” body-horror romance, where a strange epidemic causes sufferers to melt into their surroundings.
Here are the two newly announced slates in full:
Discovery
Bonjour Tristesse [+lire aussi :
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fiche film] - Durga Chew-Bose (Canada/Germany) (opening film)
Horizonte [+lire aussi :
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fiche film] - César Augusto Acevedo (Colombia/France/Luxembourg/Chile/Germany)
Gülizar [+lire aussi :
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bande-annonce
interview : Belkıs Bayrak et Bekir Beh…
fiche film] - Belkıs Bayrak (Turkey/Kosovo)
On Falling [+lire aussi :
critique
bande-annonce
interview : Laura Carreira
fiche film] - Laura Carreira (United Kingdom/Portugal)
Aberdeen - Ryan Cooper and Eva Thomas (Canada)
Boong - Lakshmipriya Devi (India)
The Courageous [+lire aussi :
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bande-annonce
fiche film] - Jasmin Gordon (Switzerland)
Seeds - Kaniehtiio Horn (Canada)
Saba - Maksud Hossain (Bangladesh)
The Quiet Ones [+lire aussi :
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bande-annonce
fiche film] - Frederik Louis Hviid (Denmark)
The Paradise of Thorns - Boss Kuno (Thailand)
The Party’s Over [+lire aussi :
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bande-annonce
interview : Elena Manrique
fiche film] - Elena Manrique (Spain)
Do I Know You From Somewhere? - Arianna Martinez (Canada)
Meat [+lire aussi :
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interview : Dimitris Nakos
fiche film] - Dimitris Nakos (Greece)
Freedom Way - Afolabi Olalekan (Nigeria)
U Are the Universe [+lire aussi :
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bande-annonce
interview : Pavlo Ostrikov
fiche film] - Pavlo Ostrikov (Ukraine/Belgium)
My Fathers’ Daughter [+lire aussi :
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bande-annonce
fiche film] - Egil Pedersen Sápmi (Norway/Sweden/Finland)
Really Happy Someday - J Stevens (Canada)
Sad Jokes [+lire aussi :
critique
bande-annonce
interview : Fabian Stumm
fiche film] - Fabian Stumm (Germany)
Diciannove [+lire aussi :
critique
bande-annonce
fiche film] - Giovanni Tortorici (Italy)
Ink Wash [+lire aussi :
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bande-annonce
fiche film] - Sarra Tsorakidis (Romania/Greece/Denmark)
Linda [+lire aussi :
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bande-annonce
fiche film] - Mariana Wainstein (Argentina/Spain)
Shook - Amar Wala (Canada)
Mother Mother - K’naan Warsame (Kenya/Somalia)
Midnight Madness
The Substance [+lire aussi :
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bande-annonce
interview : Coralie Fargeat
fiche film] - Coralie Fargeat (United Kingdom/USA/France) (opening film)
Friendship - Andrew DeYoung (USA)
Dead Mail - Joe DeBoer, Kyle McConaghy (USA)
Else [+lire aussi :
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fiche film] - Thibault Emin (France/Belgium)
Dead Talents Society - John Hsu (Taiwan)
Escape from the 21st Century - Yang Li (China)
Ick - Joseph Kahn (USA)
It Doesn’t Get Any Better Than This - Rachel Kempf, Nick Toti (USA)
The Shadow - Strays Timo Tjahjanto (Indonesia)
The Gesuidouz - Kenichi Ugana (Japan)
(Traduit de l'anglais)
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