VENICE 2024 Venice Production Bridge
The Venice Gap-Financing Market selects 61 projects
- Projects hailing from all over the world will be presented during the three-day event, while Luxembourg & Wallonia-Brussels and Japan will be the VPB Focuses

The 11th edition of the Venice Gap-Financing Market (running 30 August to 1 September) is set to unspool as usual during the 81st Venice Film Festival (running 28 August to 7 September), where the selected projects hailing from Europe and beyond will get to round off their financing by way of one-to-one meetings with international professionals.
61 projects in the final phases of development and funding, and hailing from all corners of the world, are set to be presented over the course of this three-day event, which is unfolding within the Venice Production Bridge film market. The team behind the co-production market claims to have received somewhere in the region of 320 projects, with the selection reflecting “the great diversity of backgrounds, stories, talent, genres and budgets associated with the projects presented”. The VPB Focuses for this year will be Luxembourg & Wallonia-Brussels, supported by the Film Fund Luxembourg and the Wallonia-Brussels Federation Film and Audiovisual Centre, and Japan, supported by Jetro.
The selection comprises 34 fiction and documentary feature film projects (including 6 VPB Focus projects), 16 immersive projects (11 European and 5 from the rest of the world, of which 4 are VPB Focus projects, spanning fiction films, documentaries, animated films and other interactive installation experiences, all of which have 30% of their budgets guaranteed), 3 Biennale College Cinema projects (at different phases of development and pre-production), and 8 Biennale College Cinema – Immersive projects (at different phases of development, from pre-production through to post-production).
There are 27 fiction film projects in the offing (19 European and 8 from the rest of the world), which will need to round off their finance packages with minority shares in these individual co-productions, and which already have 70% of their funding secured. Among these movies are new projects by filmmakers such as Chile's Theo Court (White on White [+see also:
film review
trailer
interview: Théo Court
film profile], awarded Best Director in Venice’s Orizzonti line-up), Afghanistan's Shahrbanoo Sadat (Wolf and Sheep [+see also:
film review
trailer
interview: Shahrbanoo Sadat
film profile], The Orphanage [+see also:
film review
trailer
interview: Shahrbanoo Sadat
film profile]), Tunisia's Erige Sehiri (Under the Fig Trees [+see also:
film review
trailer
interview: Erige Sehiri
film profile]), Portugal's Ivo Ferreira (Letters from War [+see also:
film review
trailer
Q&A: Ivo M Ferreira
film profile]) and Spain's Víctor García León (Vete de mí), to name just a few. There are 7 documentary projects in the selection (4 European and 3 from the rest of the world), which are both narrative and creative in nature (and which satisfy the same conditions as fiction films) and which include a new project by Sweden's Ester M. Bergsmark (awarded the Tiger Award at the IFFR for Something Must Break [+see also:
film review
trailer
film profile]).
Last but not least, the Venice Gap-Financing Market is also organising for the producer-director teams of these 61 projects to meet with decision-makers in the industry (producers, private and public funders, banks, distributors, sales agents, TV networks, streamers, VOD platforms, institutions, post-production companies…).
The full list of projects is as follows:
Films and documentaries
A Sweetness From Nowhere - Ester M. Bergsmark (Sweden/Norway) (documentary)
Production: Garagefilm International
Ama - Yuki Kawamura (Luxembourg/France/Japan) (fiction) (Focus on Luxembourg)
Production: Les Films Fauves, Good Fortune Films, Flag Pictures
Amoeba - Siyou Tan (Singapore/Netherlands/France/Spain) (fiction)
Production: Akanga Film Asia
Becoming Ema - Patricia Drati (Denmark/Spain/Slovakia) (documentary)
Production: Good Company Pictures
Better Class - Victor García León (Spain) (fiction)
Production: Buenapinta Media
Black Water - Aga Woszczyńska (Poland/Finland/Estonia) (fiction)
Production: Lava Films
Cuba & Alaska - Yegor Troyanovsky (Ukraine/France/Belgium) (documentary)
Production: 2Brave Productions, TAG Film
Death Has No Master - Jorge Thielen Armand (Venezuela/Canada/Italy/Luxembourg/Mexico/Spain) (fiction)
Production: La Faena Films, Volos Films Italy
Dengue - Prantik Basu (India/France/Netherlands) (fiction)
Production: Riverine Films, Jba Production, The Film Kitchen
Devolution - Nicolas Boucart (Belgium/Italy/Poland) (fiction) (Focus on Wallonia-Brussels)
Production: Tarantula Belgique
Dust - Anke Blondé (Belgium/Grecia/Poland/UK) (fiction)
Production: A Private View
Global Project - Ivo M. Ferreira (Portugal/Luxembourg) (fiction)
Production: O Som e a Fúria
Golem - Jiří Barta (Czech Republic/France/Slovakia) (fiction/animation)
Production: Hausboot
If I See a Rainbow - Zhao Hao (fiction) (China/France)
Production: Good Time Films
In Alaska - Jaap Van Heusden, Vinnie Karetak (Netherlands/Canada) (fiction)
Production: Ijswater Films
Jealous White Men - Ivan Granovsky (Argentina/Portugal/Italy/Brazil) (fiction)
Production: Frutacine, O Som e a Fúria, Ring Film, Biônica Filmes
La Baleine - Sylvère Petit (France/Spain/Belgium) (fiction)
Production: Les Films d’Ici Méditerranée
Last Night I Conquered the City of Thebes - Gabriel Azorín (Spain/Portugal) (fiction)
Production: DVEIN Films
Legìtima - Elisa Miller (Mexico) (fiction)
Production: Pimienta Films
Love Before Sunrise - Chen-Ti Kuo (Taiwan/Japan) (fiction)
Production: A Thousand Tree Films, J&K Entertainment Inc.
Marie & Jolie - Erige Sehiri (France/Tunisia/Qatar) (fiction)
Production: Maneki Films, Henia Production
Movie Kintsugi(wt) - Eva Knopf (Japan/Germany) (documentary) (Focus on Japan)
Production: Trixta Ltd., Amerikafilm GmbH
No Good Men - Shahrbanoo Sadat (Denmark/Germany/France/Norway) (fiction)
Production: Adomeit Film
The Blood Countess - Ulrike Ottinger (Austria/Luxembourg/Germany) (fiction) (Focus on Luxembourg)
Production: Amour Fou Vienna
The Good Life - Matt Winn (UK) (fiction)
Production: Funny Peculiar Ltd.
The Isle of the Demoiselle - Micha Wald (Belgium/France/Canada) (fiction) (Focus on Wallonia - Brussels)
Production: Stenola Productions
The Life of Simon Jashi - Dmitry Mamuliya (Georgia/France/Lithuania) (fiction)
Production: Millimeter Film
The Magic City - Pablo Guarise, Guillaume Maupin (Belgium/France/Sweden) (documentary) (Focus on Wallonia - Brussels)
Production: Naoko Films
The Reserve- Ezequiel Yanco (Argentina/Spain/Mexico) (documentary)
Production: Isoi Cine, Lacima, Fiasco
The Station - Sara Ishaq (Yemen/Jordan/France/Netherlands/Germany/Norway/Qatar) (fiction)
Production: Screen Project
Theft of Fire - Amer Shomali (Canada/Palestina/France) (documentary)
Production: Intuitive Pictures Inc.
Three Black Nights - Theo Court (Chile/Spain) (fiction)
Production: Quijote Films, El Viaje Films
Tristes Tròpicos - Gastón Solnicki (Austria/Argentina) (fiction)
Production: Little Magnet Films, Filmy Wiktora, Primo
Twins - Eva Neymann (Jordan/Poland/Netherlands) (fiction)
Production: Toy Cinema
Immersive projects
275 Million Births and Deaths - Zam Zadeh (Belgium/Netherlands)
Production: Cassette for Timescapes
A Cure for Straightness - Cameron Kostopoulos (USA/France)
Production: Kost, Floréal
Body/Memory - Stefano Casertano (Germany/Italy)
Production: Daring House
Collective Body - Sarah Silverblatt-Buser (France/USA)
Production: Atlas V
Demaré / a Sensory Journey into the Depths of the Ocean - Emilia Sánchez Chiquetti (Brazil/Argentina/Germany/Austria)
Production: Presencias, Detona Cultura
Dysmorphia: Playing with Reality - May Abdalla, Barry Gene Murphy (France/UK)
Production: Floréal, Anagram
First Virtual Suit - Kazuki Yuhara (Japan) (developed during BCCI 8) (Focus on Japan)
Production: CinemaLeap.inc
Harvest - Matt Shaw, William Trossell (UK)
Production: ScanLAB Projects
Lalalabyrinth (WT) - Pedro Harres (Germany)
Production: Reynard Films
Museva - Sergio Ghizzardi (Belgium/France) (Focus on Wallonia-Brussels)
Production: Domino Production
Resonanz - David Adler, Ioulia Isserlis (Germany/Denmark)
Production: Anotherworld VR
Tachychronia - Gwenael François (Luxembourg/Canada) (Focus on Luxembourg)
Production: Skill Lab
Tempus Alterna - Nimrod Shanit (Luxembourg/Canada) (Focus on Luxembourg)
Production: Blimey, a_BAHN
The Ancestors - Steye Hallema (Netherlands)
Production: The Smartphone Orchestra (WildVreemd)
Tiny People: Prologue - Ricardo Laganaro, Marcelo Marcati (USA/Brazil)
Production: ARVORE Immersive Experiences
When Brooklyn Was Queer- Yasmin Elayat, Wadooah Wali (USA/Australia)
Production: New Canvas
Biennale College Cinema projects
Buio, Dog Days of Summer - Camilla Carè (Italy) (fiction)
Production: Piroetta
Jaysan fiction - Aisha Sultanbekova (Kyrgyzstan)
Production: Koyon Media
The Forest - Bálint Kenyeres (Hungary) (fiction)
Production: Anabanana
Biennale College Cinema – Immersive projects
Edifice - Andreea Ion Cojocaru (Germany/USA)
Production: Numena
Emporia, The Mountain Mermaid - Kirstin Lee Grey Erasmus (South Africa)
Production: Different Immersive
Kitchen of Memories - Mattia Casalegno (USA)
Production: Flavor Five Studio
Library of Dreams - Jane Rzheznikova (Georgia/Germany)
Production: Less Media Group
Mnemosyne - Wuer (China/Japan)
Production: Wuerone Film Production
Mons Venus - Paula Orlando (Argentina)
Production: Groncho Estudio
Proprioceptive Memory - Ben Joseph Andrews, Emma Roberts (Australia)
Production: Pernickety Split
Unscrolling The Truth - Joanna Murzyn (Poland/India)
Production: Eternal Engine
(Translated from Italian)
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