The nineth edition of the Seeyousound International Music Film Festival - the first event in Italy to be entirely dedicated to music-centric film, this year unfolding in Turin between 24 February and 2 March - will open with the Italian premiere of Tchaikovsky’s Wife [+lee también:
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ficha de la película] by dissident Russian director Kirill Serebrennikov, exactly one year one from the start of the war in Ukraine. The Russian filmmaker and screenwriter, who’s been in exile since March of last year, will also see his movie Leto [+lee también:
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entrevista: Ilya Stewart
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79 fiction feature films and documentaries, short films and music videos, from among the best recently produced works worldwide, accompanied by concerts, soundtracks and DJ sets held in 7 different locations in the city, all grace the 2023 programme of the festival directed by Carlo Griseri, with 5 titles screening in first ever premieres, 2 in European premieres and 26 in Italian premieres.

The Long Play Feature competitive section will offer up 5 fiction feature films, including Kurdwin Ayub’s Austrian work Sonne [+lee también:
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entrevista: Kurdwin Ayub
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entrevista: Robin Pront
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entrevista: Sophie Linnenbaum
ficha de la película]. The Long Play Doc line-up, dedicated to cinéma du réel, will showcase another five titles, including Germany’s Can and Me by Michael P. Aust and Tessa Knapp, Miúcha - The Voice of Bossa Nova [+lee también:
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ficha de la película] (Brazil/France/USA) by Liliane Mutti and Daniel Zarvos, and, in a first ever premiere, Il mondo è troppo per me by Vania Cauzillo, about genius guitar player Vittorio Camardese who invented the tapping technique.

There’ll also be space for a couple of exhibitions: Into the Groove, gathering together a variety of genres and trends in the form of 13 films (9 feature films and 4 shorts), including Infernòt. Viaggio nella musica folk by Elia Romanelli, charting the birth of Italian folk music, French film Not My Type [+lee también:
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ficha de la película] by Kathryn Ferguson, In the Court of Crimson King: King Crimson At 50 by Toby Amies, and Getting It Back: The Story Of Cymande [+lee también:
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ficha de la película] by Tim MacKenzie-Smith. The Rising Sound – Music is the Weapon exhibition, meanwhile, revealing the political, social and communitarian power of music, is set to showcase 5 documentaries, including Portugal’s Cesária Évora by Ana Sofia Fonseca, and Germany’s Love, Deutschmarks and Death [+lee también:
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entrevista: Cem Kaya
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Last but not least, the fourth workshop of the RED – Re-Educating Digitisation Programme is set to unspool in parallel with the festival. Organised within the framework of the MFFN - Music Film Festival Network, made up of 12 European, music-centric festivals, the workshop will revolve around the creation of an audience survey model to help cultural players expand their audiences. The project is funded by Erasmus+ and coordinated by Soundtrack Cologne.