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FESTIVALS / PRIX Italie

Sguardi Altrove célèbre le cinéma au féminin

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- Après la pré-ouverture, qui sera assurée par Bad Roads de l’Ukrainienne Natalya Vorozhbit, la 29e édition du festival se tiendra à Milan du 10 au 15 mai

Sguardi Altrove célèbre le cinéma au féminin
Bad Roads de Natalya Vorozhbit

Cet article est disponible en anglais.

The 29th edition of the Sguardi Altrove Film Festival, dedicated to women's cinema and artistic languages, will take place from 10 to 15 May in Milan in a hybrid version after the success of the latest editions, which were extended to a wider and more distant audience through the streaming of films.

The festival management has decided to dedicate a pre-opening, on 27 April, to Ukrainian director Natalya Vorozhbit's debut feature Bad Roads [+lire aussi :
critique
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interview : Natalya Vorozhbit
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]
, presented at the 35th Venice Film Festival Critics' Week and selected to represent Ukraine at the 2022 Oscars (Italian release on 28 April with Trent Film). Opening the festival will be Amy J. Berg's Phoenix Rising, the documentary about actress Evan Rachel Wood's experience of domestic and psychological abuse perpetrated by musician Marilyn Manson.

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There are eight titles in the Nuovi Sguardi competition, including Walden [+lire aussi :
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, the new film by filmmaker Bojena Horackova, which tells the story of a love affair between two young people in Lithuania in 1989; As I Want [+lire aussi :
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]
, by Palestinian director Samaher Alqadi, about the mass sexual assaults that took place in Cairo's Tahrir Square in 2013; the Croatian film Murina [+lire aussi :
critique
bande-annonce
interview : Antoneta Alamat Kusijanović
interview : Gracija Filipovic
fiche film
]
by Antoneta Alamat Kusijanović (with Martin Scorsese as executive producer and winner of the Caméra d'or for Best Debut Feature at the latest Cannes Film Festival) about the country's chauvinist tendencies; Yuni [+lire aussi :
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, by Indonesian director Kamila Andini, which deals with the theme of arranged marriages in a Muslim society; the French films Fragile [+lire aussi :
bande-annonce
fiche film
]
, the exhilarating feature debut of screenwriter and director Emma Benestan, and There Will Be No More Night [+lire aussi :
critique
bande-annonce
fiche film
]
, a documentary by Eléonore Weber on the images captured by helicopters operating in Afghanistan, Iraq and Pakistan; Il momento di passaggio by Chiara Marotta, winner of the Solinas Prize for its screenplay.

Seven titles are part of the #FrameItalia showcase: La ragazza ha volato [+lire aussi :
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, the new film by Wilma Labate, presented at the Venice Film Festival in the Orizzonti section; the documentary by director and video-artist Rä di Martino, presented at the Turin Film Festival, The Garden That Doesn’t Exist [+lire aussi :
interview : Matteo Frittelli
fiche film
]
; the road movie Cùntami by Giovanna Taviani; Portami a vedere la notte by Lia and Alberto Beltrami on the female condition in the Sinti and Roma communities; Donnadarte. Gigliola Rovasino, a documentary by Valerio Finessi on the great art gallery owner; Kurdbun - Essere curdo, by Fariborz Kamkari, a documentary on the siege of Cizre; and Natascia Bonacci's documentary L'Ultimo Gradino.

This year's new features include the out-of-competition sections Cinema (In)visibile and Women in Film and TV and Media, and a tribute to Lina Wertmüller, who recently passed away and was the first woman to be nominated for an Oscar for Best Director in 1977. The reflection on "Seriality and New Frontiers for Women" continues this year, with a panel scheduled for 14 May.

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(Traduit de l'italien)

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