SAN SEBASTIAN 2022 Zabaltegi-Tabakalera
L’hétérogène section Zabaltegi-Tabakalera de San Sebastian annonce une sélection de 22 titres
par Alfonso Rivera
- Ce volet du festival, le plus audacieux, présentera entre autres les nouveaux longs-métrages de Ruth Beckermann et Hlynur Pálmason, et les nouveaux courts de Peter Strickland et Lee Chang-dong
Cet article est disponible en anglais.
At the 70th edition of the San Sebastián Film Festival (16-24 September), the ever-surprising Zabaltegi-Tabakalera section will host a selection of works hailing from Berlin, Cannes and Venice, among other gatherings. As things stand, 22 titles will participate in this sidebar, with one more section to be added at a later date. There will be 13 features, eight short films and one medium-length work on show, which we detail below.
Austrian filmmaker Ruth Beckermann takes a contemporary approach to the 1906 erotic novel Josefine Mutzenbacher in Mutzenbacher [+lire aussi :
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bande-annonce
interview : Ruth Beckermann
fiche film], which won the Best Film Award in the Encounters section of the Berlinale. Meanwhile, Iceland’s Hlynur Pálmason will present his third feature, Godland [+lire aussi :
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bande-annonce
interview : Elliott Crosset Hove
interview : Hlynur Pálmason
fiche film], set in the late 19th century, as a Danish priest travels to a remote part of Iceland, plus he will also be showing off the short film Nest, starring a group of siblings who build a house up in a tree. Thomas Salvador will be in attendance with The Mountain [+lire aussi :
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bande-annonce
interview : Thomas Salvador
fiche film], about a Parisian engineer who leaves everything behind to settle in the Alps.
Swiss helmer Cyril Schäublin scooped the Best Director Award in the Encounters section of the Berlinale with Unrest [+lire aussi :
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interview : Cyril Schäublin
fiche film], a fiction film set in a small town in the 19th century, where the anarchism movement starts to gain traction. Norway’s Anders Emblem will participate with A Human Position [+lire aussi :
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interview : Anders Emblem
fiche film], a portrait of a journalist who uncovers an injustice that will lead her to examine her own life from a new point of view. In addition, Brits Dylan Southern and Will Lovelace are the men behind Meet Me in the Bathroom [+lire aussi :
critique
fiche film], which delves into the New York music scene at the start of the 21st century.
Israel’s Ann Oren will be exhibiting her feature-length fiction debut, the German production Piaffe [+lire aussi :
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interview : Ann Oren
fiche film], revolving around a woman who grows a horse’s tale, while another co-production with Germany, the new effort by Argentina’s Laura Citarella, Trenque Lauquen [+lire aussi :
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interview : Laura Citarella
fiche film], starts off with a woman’s mysterious disappearance.
Argentinian director Santiago Loza returns with the world premiere of Amigas en un camino de campo, his fellow countryman Andrés Di Tella does likewise with Diarios, and Mexican-based Bolivian filmmaker Natalia López Gallardo will present Robe of Gems, the winner of the Silver Bear Jury Prize at the Berlinale.
Brit Peter Strickland will also be returning with a new short film, Blank Narcissus (Passion of the Swamp), about a seasoned porn-film director who reminisces about his past, while South Korea’s Lee Chang-dong will be in attendance with the short Heartbeat. The short-film selection is rounded off by China’s Bi Gan, who is back with A Short Story, after he accompanied it to Cannes; Chile’s Diego Céspedes, with The Melting Creatures; and the USA’s Erik Shirai and Japan’s Masako Tsumura, with Nowhere To Go But Everywhere. Furthermore, Zabaltegi-Tabakalera will screen the medium-length film Itchan and Satchan by Japan’s Takayuki Fukata.
The selection also includes a number of previously announced Spanish titles (see the news): the features El agua [+lire aussi :
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bande-annonce
interview : Elena Lopez Riera
fiche film] by Elena López Riera and Piggy [+lire aussi :
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bande-annonce
interview : Carlota Pereda
fiche film] by Carlota Pereda. These are in addition to the shorts The Third Notebook by Lur Olaizola and Chords by Estibaliz Urresola.
Here is the full list of titles selected:
The Mountain [+lire aussi :
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interview : Thomas Salvador
fiche film] - Thomas Salvador (France) (opening film)
The Melting Creatures - Diego Céspedes (Chile/France) (short film) (opening short)
Mutzenbacher [+lire aussi :
critique
bande-annonce
interview : Ruth Beckermann
fiche film] - Ruth Beckermann (Austria)
A Short Story – Bi Gan (China) (short film)
Trenque Lauquen [+lire aussi :
critique
bande-annonce
interview : Laura Citarella
fiche film] - Laura Citarella (Argentina/Germany)
A Human Position [+lire aussi :
critique
bande-annonce
interview : Anders Emblem
fiche film] - Anders Emblem (Norway)
Itchan and Satchan - Takayuki Fukata (Japan) (medium-length film)
Heartbeat - Lee Chang-dong (South Korea) (short film)
Robe of Gems - Natalia López Gallardo (Mexico/Argentina)
El agua [+lire aussi :
critique
bande-annonce
interview : Elena Lopez Riera
fiche film] - Elena López Riera (Spain)
Amigas en un camino de campo - Santiago Loza (Argentina)
The Third Notebook - Lur Olaizola (Spain) (short film)
Piaffe [+lire aussi :
critique
bande-annonce
interview : Ann Oren
fiche film] - Ann Oren (Israel)
Godland [+lire aussi :
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bande-annonce
interview : Elliott Crosset Hove
interview : Hlynur Pálmason
fiche film] - Hlynur Pálmason (Iceland)
Nest - Hlynur Pálmason (Iceland) (short film)
Piggy [+lire aussi :
critique
bande-annonce
interview : Carlota Pereda
fiche film] - Carlota Pereda (Spain)
Unrest [+lire aussi :
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bande-annonce
interview : Cyril Schäublin
fiche film] - Cyril Schäublin (Switzerland)
Nowhere To Go But Everywhere - Erik Shirai, Masako Tsumura (Japan) (short film)
Meet Me in the Bathroom [+lire aussi :
critique
fiche film] - Dylan Southern, Will Lovelace (UK)
Black Narcissus (Passion of the Swamp) - Peter Strickland (UK/Australia) (short film)
Diarios - Andrés Di Tella (Argentina)
Chords - Estibaliz Urresola (Spain) (short film)
(Traduit de l'espagnol)
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