PRODUCTION / FINANCEMENT Italie
Diamanti, de Ferzan Ozpetek, est en post-production
par Camillo De Marco
- Le quinzième film du réalisateur réunit 18 actrices dont Luisa Ranieri et Jasmine Trinca dans le rôle de deux soeurs qui dirigent un atelier de confection de costumes de cinéma dans les années 1970
Cet article est disponible en anglais.
Courtesy of his Instagram account, Ferzan Ozpetek has revealed the first images from his fifteenth film which is currently in post-production, Diamanti [+lire aussi :
bande-annonce
fiche film], which boasts a cast of no fewer than 16 Italian actresses alongside protagonists Luisa Ranieri (nominated at the David di Donatello Awards for The Hand of God [+lire aussi :
critique
bande-annonce
interview : Paolo Sorrentino
fiche film] and starring in this year’s Parthenope [+lire aussi :
critique
bande-annonce
fiche film]) and Jasmine Trinca (named Best Actress in Cannes’ Un Certain Regard section by way of Lucky [+lire aussi :
critique
bande-annonce
interview : Sergio Castellitto
fiche film], entrusted with the same title at the David di Donatello Awards for the same movie as well as for The Goddess of Fortune [+lire aussi :
critique
bande-annonce
fiche film], and appearing in this year’s Cannes Film Festival thanks to Valeria Golino’s series The Art of Joy). The former is now on her fourth collaboration with the Turkish-born Italian director, after the recent work Nuovo Olimpo [+lire aussi :
critique
fiche film], together with Naples in Veils [+lire aussi :
critique
bande-annonce
fiche film] and Fasten Your Seatbelts [+lire aussi :
critique
bande-annonce
interview : Ferzan Ozpetek
fiche film], while Trinca was a lead actress in The Fortune Goddess and Nuovo Olimpo.
Joining them in the cast are Stefano Accorsi (awarded a David di Donatello for Radiofreccia and Italian Race [+lire aussi :
critique
bande-annonce
interview : Matilda De Angelis
interview : Matteo Rovere
fiche film], recently seen in the series My Love), Elena Sofia Ricci (awarded a David di Donatello for Io e mia sorella, Ne parliamo lunedì and Loro [+lire aussi :
bande-annonce
fiche film]), Kasia Smutniak (Fasten Your Seatbelts, Loro), Vinicio Marchioni (20 Cigarettes [+lire aussi :
bande-annonce
fiche film], There Is Still Tomorrow [+lire aussi :
critique
bande-annonce
fiche film]), Lunetta Savino (Matrimoni, Rosa [+lire aussi :
critique
bande-annonce
fiche film]), Paola Minaccioni (Fasten Your Seatbelts), Aurora Giovinazzo (Freaks Out [+lire aussi :
critique
bande-annonce
interview : Gabriele Mainetti
fiche film]), Nicole Grimaudo (Loose Cannons [+lire aussi :
bande-annonce
fiche film]), Anna Ferzetti (Tomorrow’s A New Day [+lire aussi :
critique
bande-annonce
making of
fiche film]), Vanessa Scalera (L’arminuta [+lire aussi :
critique
bande-annonce
interview : Giuseppe Bonito
fiche film]), Carla Signoris (Ex [+lire aussi :
bande-annonce
fiche film]), Giselda Volodi (Agata and the Storm), Milena Vukotic (La sedia della felicità [+lire aussi :
bande-annonce
fiche film]), Milena Mancini, Luca Barbarossa, Sara Bosi, Loredana Cannata, Geppi Cucciari, Lorenzo Franzin, Antonio Iorio, Tony Morelli, Valerio Morigi, Edoardo Purgatori, Carmine Recano and Mara Venier.
Produced by Marco Belardi on behalf of Greenboo Production, together with Faros Film and Vision Distribution in collaboration with Sky, the film was shot exclusively in Rome, based on a screenplay penned by Carlotta Corradi, Elisa Casseri and the director himself. Set in the present-day and in the 1970s, Diamanti explores the life events and romantic ups and downs of a group of women who gravitate around a significant film costume business directed by two sisters, who are as different as they are close-knit. The director’s note shared yesterday reads as follows: “A director calls upon his favourite actresses with whom he’s worked and whom he’s loved. He wants to make a film about women but he doesn’t give much away: he observes them and gleans inspiration, until his imagination catapults them into another era, a past time when the noise of sewing machines fills a workplace managed and populated by women, where men only play marginal roles and the story of cinema can be told from another point of view: that of its costumes. Amidst loneliness, passions, anxieties, heartrending shortcomings and unshakeable bonds, reality and fiction interweave, as do the lives of these actresses with those of their characters, competition with sisterhood and the visible with the invisible”.
Before his most recent films mentioned above, Ozpetek was known for Hamam: The Turkish Bath, Harem Suarè (selected for Cannes’ Un Certain Regard section), His Secret Life (in competition in Berlin), Facing Windows [+lire aussi :
bande-annonce
interview : Ferzan Ozpetek
fiche film] (awarded the Crystal Globe in Karlovy Vary) and A Perfect Day [+lire aussi :
bande-annonce
fiche film] (in competition in Venice).
The film’s director of photography is Gian Filippo Corticelli who’s been collaborating with the director for over twenty years, while set design comes courtesy of Deniz Kobanbay, costumes are by Stefano Ciammitti, editing by Pietro Morana (who also signed his name to Nuovo Olimpo and The Fortune Goddess), and the movie’s music is composed by Giuliano Taviani and Carmelo Travia. Vision Distribution are handling international sales for Diamanti, which is hitting Italian cinemas on 19 December courtesy of the same company.
(Traduit de l'italien)
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