This morning, Madrid played host to the announcement of the 22 Spanish-produced titles (17 features, two shorts and three series) set to take part in the various sections of the 73rd San Sebastián Film Festival, unspooling from 19-27 September.

Almost 25 years after taking home the Special Jury Prize and the FIPRESCI Prize from the gathering, thanks to En construcción, José Luis Guerin (selected for Berlin with his 1984 feature debut, Berta’s Motives, for Cannes with his previous titles Innisfree and Train of Shadows, and for Venice with In the City of Sylvia [+lire aussi :
bande-annonce
fiche film] and Guest [+lire aussi :
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fiche film]), he returns to the Basque festival’s official competition with his new non-fiction flick, Historias del buen valle, shot in Vallbona, a neighbourhood in Barcelona with a significant percentage of migrants among its population. Alongside this, Jose Mari Goenaga and Aitor Arregi will once again be duking it out for the Golden Shell (as they did previously with Flowers [+lire aussi :
critique
bande-annonce
fiche film], and the award-winning Giant [+lire aussi :
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interview : Aitor Arregi et Jon Garaño
fiche film] and The Endless Trench [+lire aussi :
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bande-annonce
interview : Aitor Arregi, Jon Garaño e…
fiche film]) with Maspalomas (see the news).

What’s more, Alberto Rodríguez will premiere Los Tigres in competition, a film toplined by Antonio de la Torre and Bárbara Lennie (see the news), which marks the filmmaker’s seventh time taking part in the festival, where he presented 7 Virgins [+lire aussi :
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fiche film], Marshland [+lire aussi :
critique
bande-annonce
interview : Alberto Rodríguez
fiche film], Smoke & Mirrors [+lire aussi :
critique
bande-annonce
interview : Alberto Rodríguez
fiche film] and, out of competition, Prison 77 [+lire aussi :
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fiche film] and the series The Plague [+lire aussi :
interview : Alberto Rodríguez et Rafae…
fiche série] and Offworld [+lire aussi :
bande-annonce
interview : Rodrigo Sorogoyen et Isabe…
fiche série]. In addition, at this edition, he will be enjoying a double whammy, as he will present The Anatomy of a Moment, a miniseries about the attempted 1981 coup d’état in Spain (see the news), out of competition.

For his part, Agustín Díaz Yanes returns to the festival after picking up the Special Jury Prize with Nobody Will Speak of Us When We’re Dead. Also playing out of competition, his She Walks in Darkness tells the story of a young female member of the Spanish Civil Guard who worked for more than a decade as an undercover agent in the ETA terrorist organisation.

The Special Screenings will include four Spanish titles: the historical drama Karmele – Time to Wake up Together, directed by Asier Altuna (Amama (When a Tree Falls) [+lire aussi :
critique
bande-annonce
interview : Asier Altuna
fiche film]), and starring Jone Laspiur and Eneko Sagardoy (see the news); Flores para Antonio, a documentary in which Isaki Lacuesta (winner of the Golden Shell with The Double Steps [+lire aussi :
critique
bande-annonce
fiche film] and Between Two Waters [+lire aussi :
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bande-annonce
interview : Isaki Lacuesta
fiche film]) and Elena Molina explore the legacy of musician Antonio Flores (see the news); and the series Bocas de cielo by Koldo Almandoz (The Deer [+lire aussi :
critique
bande-annonce
interview : Koldo Almandoz
fiche film]), a thriller starring Nagore Aranburu, Josean Bengoetxea and Ramon Agirre, and La suerte, helmed by Paco Plaza (The Grandmother [+lire aussi :
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bande-annonce
interview : Paco Plaza
fiche film]) and toplined by Óscar Jaenada, Ricardo Gómez and Pablo Guerrero, about a taxi driver-turned-chauffeur for a bullfighter.

As for the New Directors strand, there will be two Spaniards involved: Irati Gorostidi Agirretxe (who took part in the Cannes Critics’ Week with her short film Contadores) will premiere her feature debut, Aro berria, a look at working-class resistance in the Basque Country in the 1970s; and producer, DoP and director José Alayón (Slimane [+lire aussi :
bande-annonce
fiche film]) will present his second feature, La lucha, in which he tells of the relationship between a father and daughter following the passing of their wife and mother (see the news).

In the Zabaltegi-Tabakalera section, audiences will see three features and a short film with Spanish involvement: A Scary Movie by Madrid-based Brazilian director Sergio Oksman (On Football [+lire aussi :
critique
bande-annonce
interview : Sergio Oksman
fiche film]), in which a documentary director and his son stay in an abandoned hotel in Lisbon; The Good Sister [+lire aussi :
critique
interview : Sarah Miro Fischer et Mari…
fiche film], the feature debut by Sarah Miro Fischer, about a young woman who discovers that her brother has been accused of rape, a movie that premiered in the Berlinale Panorama; The Last Rapture, a non-fiction title helmed by journalist Marta Medina and producer Enrique López Lavigne, focusing on Iván Zulueta, the man behind the cult Spanish film Arrebato/Rapture (1980); and Variations, a short film by Lur Olaizola Lizarralde, a reflection on life and bereavement that is showing out of competition.

Horizontes Latinos will be showing off the queer western The Mysterious Gaze of the Flamingo [+lire aussi :
critique
interview : Diego Céspedes
fiche film], the feature debut by Chile’s Diego Céspedes, which scooped the Un Certain Regard Prize at Cannes; as well as the road movie The Message [+lire aussi :
critique
bande-annonce
interview : Iván Fund
fiche film], winner of the Silver Bear Jury Prize at the Berlinale, helmed by Argentina’s Iván Fund.

Among the titles scheduled to unspool in the Velodrome are Rondallas, the new opus by Daniel Sánchez Arévalo (DarkBlueAlmostBlack [+lire aussi :
critique
bande-annonce
fiche film], Seventeen [+lire aussi :
critique
bande-annonce
interview : Daniel Sanchez Arévalo
fiche film]), about a town in Galicia that resolves to bring the local traditional music group back to life; and the documentary Hasta que me quede sin voz, directed by Mario Forniés and Lucas Nolla, zooming in on musician Leiva.

Lastly, in the Perlak section, viewers can enjoy Sleepless City [+lire aussi :
critique
bande-annonce
interview : Guillermo Galoe
fiche film], with which Guillermo Galoe won the SACD Award in the Cannes Critics’ Week, while the Made in Spain strand will be opened by the feature Las delicias del jardín by Fernando Colomo (see the news) and the short film Abril, hoy no es invierno by Mabel Lozano.

Here is the Spanish selection announced so far for the main sections:

Competition

Maspalomas – José Mari Goenaga, Aitor Arregi (Spain)
Historias del buen valle – José Luis Guerín (Spain/France)
Los Tigres – Alberto Rodríguez (Spain)

Out of Competition

She Walks in Darkness – Agustín Díaz Yanes (Spain)
The Anatomy of a Moment – Alberto Rodríguez (Spain) (series)

Special Screenings

Bocas de cielo – Koldo Almandoz (Spain) (series)
Karmele – Time to Wake up Together – Asier Altuna (Spain)
Flores para Antonio – Isaki Lacuesta, Elena Molina (Spain)
La suerte – Paco Plaza, Pablo Guerrero (Spain) (series)

New Directors

La lucha – José Alayón (Spain)
Aro berria – Irati Gorostidi Aguirretxe (Spain)

Zabaltegi-Tabakalera

The Last Rapture – Marta Medina, Enrique López Lavigne (Spain)
The Good Sister [+lire aussi :
critique
interview : Sarah Miro Fischer et Mari…
fiche film] – Sarah Miro Fischer (Germany/Spain)
Variations – Lur Olaizola Lizarralde (Spain) (short film)
A Scary Movie – Sergio Oksman (Spain)

Horizontes Latinos

The Mysterious Gaze of the Flamingo [+lire aussi :
critique
interview : Diego Céspedes
fiche film] – Diego Céspedes (Chile/France/Germany/Spain/Belgium)
The Message [+lire aussi :
critique
bande-annonce
interview : Iván Fund
fiche film] – Iván Fund (Argentina)

Velodrome

Hasta que me quede sin voz – Mario Forniés, Lucas Nolla (Spain)
Rondallas – Daniel Sánchez Arévalo (Spain)