On Friday 12 December, Spain’s ICAA (Film and Audiovisual Arts Institute) announced the definitive resolution concerning its selective support for 2025, intended for the production of feature-length projects. Of the total amount given out, a minimum of 40% is reserved for projects helmed exclusively by female directors, a minimum of 15% and a maximum of 25% for documentary projects, a minimum of 10% for animated projects, between 5% and 10% for experimental projects, and a minimum of 5% for co-productions with foreign firms in which Spain is involved as a minority producer. Thus, in the final resolution, the supported projects are split across various categories: 49 deemed to be of special cinematic, cultural or social value (be they fiction or animations), 34 documentaries and 15 experimental titles.

Of the 444 applications received, 98 films made it onto the list of supported titles. Among them, having secured €800,000, are Memorial, the second feature by Sergi Pérez, following The Long Way Home [+lire aussi :
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interview : Sergi Pérez
fiche film], with the money going to its production outfits, Sumendi Filmak, Edna Cinema and Bteam Prods; Macramé by Andrea Jaurrieta (Ana by Day [+lire aussi :
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fiche film], Nina [+lire aussi :
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interview : Andrea Jaurrieta
fiche film]), staged by Bteam Prods, Icónica and Lasai Producciones; Sealskin, the feature debut by Irene Moray after she scooped the Goya Award for her short film Watermelon Juice and directed series such as Perfect Life [+lire aussi :
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fiche série], with the film being produced by Lastor Media and Vilaüt Films (see the interview with the producer); El director by Dani de la Orden (A House of Fire), an adaptation of David Jiménez’s book of the same name, staged by Beta Fiction, Cardinal Content and Playtime Movies; and Una familia, the directorial debut by actor Ricardo Gómez (seen recently in the series Fate [+lire aussi :
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fiche série]), which is being produced by El Desorden Crea, Lágrima Films and Estela Films.

Other titles receiving €800,000 are El gran bazar de mis padres, the feature debut by Rakesh Narwani, produced by Pecado Films and Bazar Films; Mare de sucre, a feature-length extension of the short film (and stage play) helmed by its director, Clàudia Cedó, produced by Lastor Media and Suica Productions; La primera bruixa by María Martínez Bayona, staged by Fasten Films; and Daemon, directed by Chile’s Valeria Hofmann and produced by Amore Cine.

Meanwhile, €1 million go to Pink Punk Delta, an animated flick directed and produced by Alba Sotorra (Francesca & Love [+lire aussi :
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fiche film]).

Other projects that scored highly and thus earned themselves tidy sums are Vivan los hombres cabales by David Martín de los Santos (That Was Life [+lire aussi :
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interview : Damián París et Rosa Garcí…
interview : David Martín de los Santos
fiche film]), which gets €725,000 (Lanube Películas, Pantalla Partida); Y así seguirán las cosas by Marina Palacio (Gariza Films), which has earned itself €700,851; Upiro by Óscar Martín (Amigo [+lire aussi :
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fiche film]), staged by La Charito Films and El Ojo Mecánico, with €675,000; El Canal de la Mancha by Daniel Sánchez López (Boy Meets Boy), which gets €606,550 (Suspiria Films, Mansion Clapham, The Other Film Production and El Canal de la Mancha La Película AIE); Las guerras frías by Switzerland’s Andreas Fontana (Azor [+lire aussi :
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interview : Andreas Fontana
fiche film]), which has secured €495,592 (Dvein Films); and Broken Glass in the Pool (see the news) by Ruth Caudeli Martí, which has been granted €225,000 (Dacsa Productions).

The full list of the recipients of selective support for 2025 (in Spanish) can be found here.