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MILLENNIUM DOCS AGAINST GRAVITY 2025

Millennium Docs Against Gravity presenta la sua 22ma edizione con il motto "Tutto il mondo tra di noi"

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- Il festival si svolgerà dal 9 al 18 maggio in sette città polacche e presenterà numerose anteprime di documentari internazionali e locali

Millennium Docs Against Gravity presenta la sua 22ma edizione con il motto "Tutto il mondo tra di noi"
KOMPLETA di Tomasz Śliwiński e Magdalena Hueckel

Questo articolo è disponibile in inglese.

The 22nd Millennium Docs Against Gravity (MDAG) is fast approaching, bringing its latest edition to screens across Poland. From 9-18 May, the festival will take place in seven cities (Warsaw, Wrocław, Gdynia, Poznań, Katowice, Łódź and Bydgoszcz), offering a rich line-up of documentary cinema. After the in-person screenings, the event will move online, with a curated selection of groundbreaking international documentaries, many premiering in Poland, available for streaming on mdag.pl from 20 May-2 June.

The 2025 edition of MDAG, held under the motto "The Whole World Between Us", will showcase nearly 180 documentaries from around the globe, including winners from IDFA, Sundance and the Berlinale. With 16 competitions and 20 awards, this year’s programme spans diverse themes, from ecology and art to politics, psychology and sports. The festival opens with two films: Coexistence, My Ass! [+leggi anche:
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by Amber Fares, a humorous take on Israeli-Palestinian peace efforts; and Ernest Cole: Lost and Found [+leggi anche:
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by Raoul Peck, a portrait of the titular pioneering South African photographer and his quest for artistic freedom and equality. On 11 May, the festival will also feature a special charity stand-up show by Noam Shuster-Eliassi, the protagonist of Coexistence, My Ass!, blending comedy and activism to explore identity, politics and, indeed, coexistence.

The Main Competition features 12 films from around the globe, selected to reflect what MDAG artistic director Karol Piekarczyk calls “the very best of documentary cinema – and cinema as a whole”. These titles will compete for the major awards presented across the festival cities, including the Grand Prix – Millennium Bank Award, which offers theatrical distribution of the winning film in Poland and €8,000. This year’s jury features Salma Abdalla, international relations and PR manager at the Austrian Film Institute, and former CEO of Autlook Filmsales; Remi Grellety, a two-time Oscar-nominated film producer, known for I Am Not Your Negro [+leggi anche:
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and Soundtrack to a Coup d’Etat [+leggi anche:
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intervista: Johan Grimonprez
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; and Simon Lereng Wilmont, the Oscar-nominated director of A House Made of Splinters [+leggi anche:
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The selection comprises 2000 Meters to Andriivka [+leggi anche:
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by Mstyslav Chernov (Ukraine), Apocalypse in the Tropics by Petra Costa (Brazil/USA/Denmark), A Want in Her [+leggi anche:
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intervista: Myrid Carten
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by Myrid Carten (Ireland/UK/Netherlands), Baby Doe by Jessica Earnshaw (USA), Come See Me in the Good Light by Ryan White (USA), Coexistence, My Ass! by Amber Fares (USA/France), My Stolen Planet [+leggi anche:
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by Farahnaz Sharifi (Germany/Iran), A Sudden Glimpse to Deeper Things [+leggi anche:
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intervista: Mark Cousins
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by Mark Cousins (UK), Mr. Nobody Against Putin [+leggi anche:
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by David Borenstein and Pavel Talankin (Denmark/Czech Republic), Trains [+leggi anche:
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intervista: Maciej J. Drygas
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by Maciej J Drygas (Poland/Lithuania), Only on Earth [+leggi anche:
intervista: Robin Petré
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by Robin Petré (Denmark/Spain), and Yintah by Jennifer Wickham, Brenda Michell and Michael Toledano (Canada).

A total of ten films are competing in the Polish Competition, each aiming to win one of three awards: the Best Polish Film Award, which is accompanied by €4,000; the Smakjam Award for Best Production; and the Arthouse Cinema Association Award. The selection features two world premieres and one international premiere, while the remaining titles will be having their Polish premieres during MDAG. The line-up showcases gender parity, as the films are directed by six men and six women. The jury includes: Dorota Lech, programmer at the Toronto International Film Festival; Victoria Leshchenko, programme coordinator at DOK Leipzig; and Jakub Popielecki, film critic at Filmweb.pl.

The world premieres include KOMPLETA by Tomasz Śliwiński and Magdalena Hueckel (Poland), an intimate record of a difficult period in the filmmakers’ lives as the main character, in her eighth month of pregnancy, is diagnosed with aggressive breast cancer; and The Passenger Andrzej Munk by Michał Bielawski (Poland), a portrait of Andrzej Munk, one of the leading figures of the Polish Film School, illustrated with film fragments, chronicles and photographs from the rich archive of the filmmaker. Furthermore, the Berlinale-premiered Das Deutsche Volk [+leggi anche:
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intervista: Marcin Wierzchowski
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by Marcin Wierzchowski (Germany) will make its international bow.

The selection also includes The Guest by Zvika Gregory Portnoy and Zuzanna Solakiewicz (Poland/Qatar), King Matt the First [+leggi anche:
intervista: Jaśmina Wójcik
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by Jaśmina Wójcik (Poland), Letters From Wolf Street [+leggi anche:
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by Arjun Talwar (Poland/Germany), My Dear Théo [+leggi anche:
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by Alisa Kovalenko (Poland/Czech Republic/Ukraine), Trains by Maciej J Drygas (Poland/Lithuania), Bedrock by Kinga Michalska (Canada) and Trust Me by Joanna Ratajczak (Poland/Germany).

(Tradotto dall'inglese)

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