The results of the second Eurimages Project Evaluation Session of 2025 have just been announced. Further to recommendations made by independent experts meeting online, the Executive Committee of the Fund has decided to support the co-production of 35 feature films, including 5 documentaries and 2 animations, for a total amount of €10 738 000. Of the 35 co-production projects supported during the session, 13 are to be directed or co-directed by women. This represents 39.41% of the total funding awarded.

The films supported include the new work by acclaimed directors such as Poland's Pawel Pawlikovski (Oscar winner for Ida [+leggi anche:
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intervista: Pawel Pawlikowski
intervista: Pawel Pawlikowski
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Q&A: Pawel Pawlikowski
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scheda film], whose latest film A Brighter Tomorrow [+leggi anche:
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intervista: Radu Jude
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intervista: Radu Jude
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intervista: Lukas Dhont
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intervista: Eden Dambrine
intervista: Lukas Dhont
intervista: Lukas Dhont
scheda film]), who has received €500,000 for Coward (Belgium/France/Netherlands), and Felix van Groeningen (Cannes Jury Prize winner for The Eight Mountains [+leggi anche:
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intervista: Felix van Groeningen & Cha…
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Other established filmmakers that have received funding for their new projects are Hungary's Kornél Mundruczó (Cannes' Un Certain Regard winner White God [+leggi anche:
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intervista: Kornél Mundruczó
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intervista: Kornél Mundruczó e Kata Wé…
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intervista: Adina Pintilie
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intervista: Kristina Grozeva, Petar Va…
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intervista: Bart Van Langendonck
intervista: Michaël R. Roskam
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intervista: Marie Kreutzer
intervista: Marie Kreutzer
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intervista: Bertrand Mandico
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intervista: Bertrand Mandico
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Q&A: Marco Martins
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intervista: Michal Blaško
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intervista: Ivo Felt
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intervista: Paul Negoescu
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The supported second fiction features are Dua (Switzerland/France/Kosovo) by Kosovo's Blerta Basholli (winner of the Sundance World Cinema Dramatic Competition Grand Jury Prize for Hive [+leggi anche:
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intervista: Blerta Basholli
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The supported first fiction features are Ducks (France/Germany) by France's Neary Adeline Hay, with €500,000; Pipaluk (France/Denmark) by France's Thierry Machado, with €500,000; and Species (France/Belgium) by France's Marion Le Corroller, with €352,000; The Indies (Switzerland/Spain) by Switzerland's Pauline Julier and Nicolas Chapoulier, with €280,000; Spring Cleaning (North Macedonia/Greece/Slovenia/Serbia) by North Macedonia's Marija Apcevska, with €210,000; and The Rumour (Denmark/Sweden) by Denmark's Amalie Næsby Fick, with €190,000.

Regarding the financed animation films, there are two titles in this session: Dansker (Denmark/Luxembourg/Netherlands/Sweden) by Denmark's Jonas Poher Rasmussen, with €500,000 and Yugly (Belgium/France) by Belgium's Jérémie Degruson and France's Yanis Belaid, with €500?000.

As for the supported documentaries, the titles are Autumn of the Patriarch (Norway/Germany/Croatia) by Russia's Anna Bogoliubova and Norway's Torstein Grude, with €150,000; The Siege of Paradise (Ireland/Switzerland) by Ireland's Gar O'Rourke, with €110,000; Our Seeds (Turkey/Germany/Greece) by Turkey's Erhan Arık, with €90,000; War on Women (Estonia/Germany) by Estonia's Maris Salumets, with €90,000; and The Gods Must Be Mistaken (Germany/Slovenia/Italy/Croatia) by Slovenia's Jakob Krese, with €80,000.