The results of the second Eurimages Project Evaluation Session of 2025 have just been announced. Further to recommendations made by independent experts meeting online, the Executive Committee of the Fund has decided to support the co-production of 35 feature films, including 5 documentaries and 2 animations, for a total amount of €10 738 000. Of the 35 co-production projects supported during the session, 13 are to be directed or co-directed by women. This represents 39.41% of the total funding awarded.

The films supported include the new work by acclaimed directors such as Poland's Pawel Pawlikovski (Oscar winner for Ida and Cannes Best Director winner for Cold War), who has received €150,000 for 1949/Vaterland (Poland/Germany/France/Italy), a movie inspired by Colm Toibin’s novel The Magician, a fictionalised biography of Thomas Mann; Italy's Nanni Moretti (Palme d'Or winner for The Son's Room, whose latest film A Brighter Tomorrow competed in Cannes, like all of his films since Caro diario), who has received €127,000 for It Will Happen Tonight (Italy/France/Spain), a romantic drama loosely inspired by Hungry Heart, a collection of short stories by Israeli writer Eshkol Nevo, set to star Louis Garrel and Jasmine Trinca (read news); Japan's Ryusuke Hamaguchi (Oscar and Cannes Best Screenplay winner for Drive My Car and Venice Grand Jury Prize winner for Evil Does Not Exist), who has received €476,000 for his European co-production All of a Sudden (France/Japan/Germany/Belgium), a story revolving around the bond between two women, a Japanese theater director and a French nurse, set to star Virginie Efira and Tao Okamoto; Romania's Radu Jude (Berlinale Golden Bear winner for Bad Luck Banging or Loony Porn, recently awarded with Locarno's Special Jury Prize for Do Not Expect Too Much from the End of the World and Berlinale's Best Screenplay award for Kontinental '25), who has received €300,000 for Diary of a Chambermaid (France/Romania), a story about a Romanian woman who travels to France to work for a French family and joins an amateur theatre company working on an adaptation of Octave Mirbeau’s The Diary of a Chambermaid; as well as Belgium's Lukas Dhont (Cannes Caméra d'Or winner for Girl and Grand Prix winner for Close), who has received €500,000 for Coward (Belgium/France/Netherlands), and Felix van Groeningen (Cannes Jury Prize winner for The Eight Mountains), who has received €150,000 for Let Love In (Belgium/Italy).

Other established filmmakers that have received funding for their new projects are Hungary's Kornél Mundruczó (Cannes' Un Certain Regard winner White God, Venice Best Actress winner Pieces of a Woman) with €500,000 for The Revolution according to Kamo (Hungary/Germany/France/Poland); Romania's Adina Pintilie (Berlinale Golden Bear winner for Touch Me Not), with €500,000 for Death and the Maiden (Germany/France/Romania/Austria); Bulgaria's Kristina Grozeva and Petar Valchanov (Karlovy Vary's Crystal Globe for The Father) with €150,000 for Black Money for White Nights (Bulgaria/Greece); Belgium's Michaël Roskam (Bullhead) with €490,000 for Le Faux Soir (Belgium/France); Austria's Marie Kreutzer (Corsage) with €500,000 for Gentle Monster (Austria/Germany/France); France's Bertrand Mandico (The Wild Boys, She Is Conann), with €400,000 for Roma Elastica (France/Italy); Portugal's Marco Martins (Saint George), with €260,000 for Summer Camp (Portugal/Greece); Slovakia's Michal Blaško (Victim), with €240,000 for Cowgirl (Slovakia/Czech Republic/Hungary); Finland's Klaus Härö (The Fencer), with €350,000 for Blue Baby (Finland/Lithuania); Romania's Paul Negoescu (Two Lottery Tickets), with €131,000 for Atlas of the Universe (Romania/Bulgaria); France's Siddiq Barmak (Osama), with €72,000 for The Postman (Germany/France/Turkey); Spain's Neus Ballus, Germany's Anne Zohra Berrached, Poland's Anna Jadowska and Switzerland's Stina Werenfels, with €500,000 for their omnibus film Each of Us (Spain/Poland/Germany/Switzerland); and Ireland's father-son team Ian & Gabe Gabriel, with €290,000 for Granny Lee (Canada/South Africa/Ireland).

The supported second fiction features are Dua (Switzerland/France/Kosovo) by Kosovo's Blerta Basholli (winner of the Sundance World Cinema Dramatic Competition Grand Jury Prize for Hive), with €300,000; Mary Magdalene (Haiti/France/Belgium/Luxembourg) by Haiti's Gessica Généus (Freda), with €300,000; and The Girl with the Leica (Italy/Germany) by Italy's Alina Marazzi (All About You), with €500,000.

The supported first fiction features are Ducks (France/Germany) by France's Neary Adeline Hay, with €500,000; Pipaluk (France/Denmark) by France's Thierry Machado, with €500,000; and Species (France/Belgium) by France's Marion Le Corroller, with €352,000; Les Indes (Switzerland/Spain) by Switzerland's Pauline Julier and Nicolas Chapoulier, with €280,000; Spring Cleaning (North Macedonia/Greece/Slovenia/Serbia) by North Macedonia's Marija Apcevska, with €210,000; and The Rumour (Denmark/Sweden) by Denmark's Amalie Næsby Fick, with €190,000.

Regarding the financed animation films, there are two titles in this session: Dansker (Denmark/Luxembourg/Netherlands/Sweden) by Denmark's Jonas Poher Rasmussen, with €500,000 and Yugly (Belgium/France) by Belgium's Jérémie Degruson and France's Yanis Belaid, with €500?000.

As for the supported documentaries, the titles are Autumn of the Patriarch (Norway/Germany/Croatia) by Russia's Anna Bogoliubova and Norway's Torstein Grude, with €150,000; The Siege of Paradise (Ireland/Switzerland) by Ireland's Gar O'Rourke, with €110,000; Our Seeds (Turkey/Germany/Greece) by Turkey's Erhan Arık, with €90,000; War on Women (Estonia/Germany) by Estonia's Maris Salumets, with €90,000; and The Gods Must Be Mistaken (Germany/Slovenia/Italy/Croatia) by Slovenia's Jakob Krese, with €80,000.