The Ministry of Culture has approved support awarded by the commission linked to the Wallonia-Brussels Federation Film and Audiovisual Centre to 59 film projects, 25 of which are feature films. The members of the commission most notably granted production aid to two young auteurs whose second feature films we await with interest.

Valentina Maurel presented her first feature, I Have Electric Dreams [+leggi anche:
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intervista: Valentina Maurel
scheda film], at the Locarno Film Festival, where it scooped three prizes. She’s returning with a new project, A jamais ton animal maternel, which is once again set in Costa Rica, her country of origin, and which sees her exploring family tensions from a new angle, focusing on 28-year-old Elsa’s return to San José as she navigates between her mentally unstable sister, Amalia, and her disengaged parents. The film will be produced by Benoit Roland on behalf of Wrong Men, as per her previous title.

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Another highly awaited second feature is coming courtesy of Emmanuel Marre, who presented Zero Fucks Given [+leggi anche:
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intervista: Emmanuel Marre e Julie Lec…
scheda film], co-directed by Julie Lecoustre, in Critics’ Week, where the film bagged the Gan Foundation Prize. Marre is returning with Notre salut, a historical movie which sees the director delving into his family history to paint the portrait of a normal man yearning for recognition who tries to create a space for himself in the Vichy regime. The film was already shot back in the spring, with Swann Arlaud playing the lead (read our news).

The film commission is also throwing its weight behind Le Fils du poète, directed by Nicolas Graux, who has just presented the documentary Hair, Paper, Water [+leggi anche:
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intervista: Trương Minh Quý
scheda film] - co-directed by Truong Minh Quy - in Locarno. This will be Graux’s first fiction feature, thrusting us alongside a young 26-year-old Russian called Sénia as he tries to avoid conscription at the height of the war in Ukraine. The movie is produced by Joseph Rouschop on behalf of Tarantula.

Le Faux Soir is far from being the first film by Michael R. Roskam (Bullhead [+leggi anche:
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intervista: Bart Van Langendonck
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scheda film], The Drop, Racer and the Jailbird [+leggi anche:
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intervista: Michael Roskam
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Last but not least, Night Vision - directed by Christopher Yates and produced by Rebeka Films – is benefitting from completion support, while Fabrice Du Welz - whose film is also being produced by Frakas Productions - has been granted development aid for Caoutchouc, alongside Aline Magrez for Dissonance, (also courtesy of Frakas), Noémie Nicolas for Johanne plonge (via Wrong Men), Sung-A Yoon for Le Sourire de Min Joo (via Michigan), and Basile Vuillemin for Les Silencieux (a feature film adaptation of Vuillemin’s short film, Les Silencieux, which scooped the Magritte for Best Short Film and is set to be produced by Versus).