email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

ARRAS 2022

L'Arras Film Festival cala i suoi assi

di 

- 120 film in programma, il concorso per l'Atlas d'oro, scoperte europee e tanti anteprime francese, alla 23ma edizione che si svolgerà dal 4 al 13 novembre

L'Arras Film Festival cala i suoi assi
The Happiest Man in the World di Teona Strugar Mitevska

Questo articolo è disponibile in inglese.

Surfing on an astute editorial line combining European films not yet seen in France and a raft of French feature films whose teams are more than happy to make their way to the welcoming Artesian city - an amalgam which has thus far ensured great mainstream success (attracting upwards of 50,000 viewers in 2019 and an impressive 38,000 despite last year’s ongoing context of onerous health restrictions) and cinephile appeal - the Arras Film Festival (steered by Nadia Paschetto and Éric Miot) has unveiled the bumper programme of its 23rd edition, which is unspooling between 4 and 13 November.

(L'articolo continua qui sotto - Inf. pubblicitaria)

Nine feature films not yet seen in France will be battling it out for the 2022 Golden Atlas (to be awarded by a jury led by French filmmaker Thomas Lilti), notably including Il Boemo [+leggi anche:
recensione
trailer
intervista: Petr Vaclav
scheda film
]
by Czech director Petr Václav (unveiled in competition at San Sebastian), three films discovered in Venice’s Orizzonti line-up (The Happiest Man in the World [+leggi anche:
recensione
trailer
scheda film
]
by Macedonia’s Teona Strugar Mitevska, Victim [+leggi anche:
recensione
trailer
intervista: Michal Blaško
scheda film
]
by Slovakia’s Michal Blasko, and Luxembourg, Luxembourg [+leggi anche:
recensione
trailer
intervista: Antonio Lukich
scheda film
]
by Ukraine’s Antonio Lukic), two titles screened in competition in Sarajevo (Six Weeks [+leggi anche:
recensione
trailer
intervista: Noemi Veronika Szakonyi
scheda film
]
by Hungary’s Noémi Veronika Szakonyi and Men of Deeds [+leggi anche:
recensione
intervista: Paul Negoescu
scheda film
]
by Romania’s Paul Negoescu) and one in the Berlinale’s Panorama section (Working Class Heroes [+leggi anche:
recensione
trailer
intervista: Miloš Pušić
scheda film
]
by Serbia’s Milos Pusic), not to mention Now/here [+leggi anche:
recensione
intervista: Peter Monsaert
scheda film
]
by Belgium’s Peter Monsaert and Wolka [+leggi anche:
recensione
trailer
scheda film
]
by late Icelandic director Árni Ólafur Ásgeirsson.

Gracing the Eastern Visions line-up, we’ll find Metronom [+leggi anche:
recensione
trailer
intervista: Alexandru Belc
scheda film
]
by Romania’s Alexandru Belc (well-received in Cannes’ Un Certain Regard section), Mikado [+leggi anche:
recensione
trailer
intervista: Emanuel Pârvu
scheda film
]
by his compatriot Emanuel Parvu (unveiled in San Sebastian’s New Directors line-up), Klondike [+leggi anche:
recensione
trailer
intervista: Maryna Er Gorbach
scheda film
]
by the Ukraine’s Maryna Er Gorbach (rewarded in Sundance and screened in the Berlinale’s Panorama section), After the Winter [+leggi anche:
recensione
trailer
intervista: Ivan Bakrač
scheda film
]
by Montenegrin director Ivan Bakrač (discovered in Karlovy Vary), Natural Light [+leggi anche:
recensione
trailer
intervista: Dénes Nagy
scheda film
]
by Hungary’s Denes Nagy (awarded the Silver Bear for Best Director in Berlin) and poignant title Moja Vesna [+leggi anche:
recensione
trailer
intervista: Sara Kern
scheda film
]
by Slovenian-Australian director Sara Kern (presented in Berlin’s Generation line-up).

Stealing focus in the European Discoveries domain are Cannes titles Corsage [+leggi anche:
recensione
trailer
intervista: Marie Kreutzer
scheda film
]
by Austria’s Maria Kreutzer, Love According to Dalva [+leggi anche:
recensione
trailer
intervista: Emmanuelle Nicot
intervista: Emmanuelle Nicot, Julie Es…
scheda film
]
by Belgium’s Emmanuelle Nicot, Godland [+leggi anche:
recensione
trailer
intervista: Hlynur Pálmason
scheda film
]
by Iceland’s Hlynur Pálmason, Nostalgia [+leggi anche:
recensione
trailer
intervista: Mario Martone
scheda film
]
by Italy’s Mario Martone and Sick of Myself [+leggi anche:
recensione
intervista: Kristoffer Borgli
scheda film
]
by Norway’s Kristoffer Borgli. There are also the Berliner attractions Alcarras [+leggi anche:
recensione
trailer
intervista: Carla Simón
intervista: Giovanni Pompili
scheda film
]
by Spanish director Carla Simon and Rabiye Kurnaz vs George W. Bush [+leggi anche:
recensione
trailer
intervista: Andreas Dresen
scheda film
]
by Germany’s Andreas Dresen, as well as The Quiet Girl [+leggi anche:
recensione
trailer
intervista: Colm Bairéad
scheda film
]
by Ireland’s Colm Bairéad and a first feature film unveiled in San Sebastian: Josephine [+leggi anche:
recensione
trailer
scheda film
]
by Spanish helmer Javier Marco.

The World Cinema section will notably showcase European co-productions in the form of Burning Days [+leggi anche:
recensione
trailer
intervista: Emin Alper
scheda film
]
by Turkey’s Emin Alper, Blanquita [+leggi anche:
recensione
trailer
scheda film
]
by Chile’s Fernando Guzzoni, Houria [+leggi anche:
recensione
trailer
scheda film
]
by French-Algerian director Mounia Meddour, and Huda’s Salon [+leggi anche:
trailer
scheda film
]
by Dutch-Palestinian helmer Hany Abu-Assad.

Last but not least, 27 premieres of French films stand tall amongst the 120 films on the agenda (including 80 which haven’t yet been seen or are premieres), including Alice Diop’s French candidate for the Oscars Saint Omer [+leggi anche:
recensione
trailer
intervista: Alice Diop
scheda film
]
and two other titles discovered in Venice (Our Ties [+leggi anche:
recensione
trailer
scheda film
]
by Roschdy Zem and For My Country [+leggi anche:
recensione
trailer
intervista: Rachid Hami
scheda film
]
by Rachid Hami), the reigning champion of Cannes’ Un Certain Regard section The Worst Ones [+leggi anche:
recensione
trailer
intervista: Romane Gueret e Lise Akoka
scheda film
]
by Lise Akoka and Romane Gueret, not to mention And Yet We Were All Blind [+leggi anche:
recensione
intervista: Béatrice Pollet
scheda film
]
by Béatrice Pollet, 16 ans by Philippe Lioret and Les survivants by Guillaume Renusson, to name but a few of the participants in this jam-packed showcase, which is further rounded off by a French Perspectives section, showcasing Brillantes by Sylvie Gautier, Amore mio [+leggi anche:
recensione
scheda film
]
by Guillaume Gouix and Thomas Salvador’s brilliant movie The Mountain [+leggi anche:
recensione
intervista: Thomas Salvador
scheda film
]
.

Likewise worth a mention are two retrospective sections (one organised by Positif magazine, the other named "Victoria: A Queen, An Empire"), a children’s festival (notably featuring Ernest and Celestine: A Trip to Gibberitia by Julien Chheng and Jean-Christophe Roger, No Dogs or Italians Allowed [+leggi anche:
recensione
trailer
intervista: Alain Ughetto
scheda film
]
by Alain Ughetto, Neneh Superstar by Ramzi Ben Sliman, Tempête by Christian Duguay, and La guerre des Lulus by Yann Samuell), and, in the festival’s professional sidebar, the 16th edition of the Professional Northern Film Meetings (running 8 – 10 November) and Arras Days’ Development Aid Fund pitching sessions (on 12 and 13 November).

(L'articolo continua qui sotto - Inf. pubblicitaria)

(Tradotto dal francese)

Ti è piaciuto questo articolo? Iscriviti alla nostra newsletter per ricevere altri articoli direttamente nella tua casella di posta.

Privacy Policy