Review: One Fine Morning

Review: One Fine Morning

CANNES 2022: An expert in observing and distilling the micro-emotions which form the fabric of our lives, Mia Hansen-Løve paints a wonderful portrait of a woman facing a crossroads in her life  

20/05 | Cannes 2022 | Directors’ Fortnight

Review: Enys Men

Review: Enys Men

CANNES 2022: Following his acclaimed breakthrough feature, Bait, Cornish filmmaker Mark Jenkin makes a natural step into eerie folk horror  

20/05 | Cannes 2022 | Directors’ Fortnight

At Cannes, experts assess the potential of Europe as a global leader in virtual production

At Cannes, experts assess the potential of Europe as a global leader in virtual production

CANNES 2022: The benefits of virtual production and other new, state-of-the art tech will make filmmakers’ lives easier, but they are also set to change a significant part of the production workflow  

20/05 | Cannes 2022 | Marché du Film

Review: Plan 75

Review: Plan 75

CANNES 2022: Produced by Japan, France and the Philippines, Chie Hayakawa's first feature film deals with the delicate subject of euthanasia in a subtle and slightly futuristic way  

20/05 | Cannes 2022 | Un Certain Regard

Co-funded by the European Union - Creative Europe MEDIA
Ukraine

Industry Reports

Market Trends - “Fight for your rights, and your crazy ideas,” say young creators at the latest SAA event - 17/05/2022

Market Trends – 17/05/2022
“Fight for your rights, and your crazy ideas,” say young creators at the latest SAA event
Young audiovisual authors are demanding fair compensation from streamers, and are finding CMOs helpful when pursuing their work and maintaining their artistic freedom

Distribution, Exhibition and Streaming
FOCUS
After two years of the pandemic, the industry is gradually transitioning back to normality, with Cannes and its Marché du Film now in sight. While keeping a close eye on the tragic war unfolding in Ukraine and its effects on the audiovisual industry, Cineuropa continues to provide extensive coverage of the European film business and its most recent developments.

New Media - At Cannes, experts assess the potential of Europe as a global leader in virtual production - 20/05/2022

New Media – 20/05/2022
At Cannes, experts assess the potential of Europe as a global leader in virtual production
CANNES 2022: The benefits of virtual production and other new, state-of-the art tech will make filmmakers’ lives easier, but they are also set to change a significant part of the production workflow

Distribution, Exhibition and Streaming - Arthouse cinema in search of an audience - 20/05/2022

Distribution, Exhibition and Streaming – 20/05/2022
Arthouse cinema in search of an audience
CANNES 2022: The challenge of bringing audiences back after an unprecedented pandemic, which concerns the entire independent industry chain, was the focus of the debate organised by the CNC

Produce – Co-Produce... - Nine European public funds launch New Dawn to increase diversity in film - 20/05/2022

Produce – Co-Produce... – 20/05/2022
Nine European public funds launch New Dawn to increase diversity in film
CANNES 2022: Due to be set in motion at the Marché du Film on 22 May, in its first year, the new joint effort will grant total bursaries of €900,000

Green Industry Initiatives and Sustainability - Wallimage: An ECOsystem at the service of the audiovisual industry - 17/05/2022

Green Industry Initiatives and Sustainability – 17/05/2022
Wallimage: An ECOsystem at the service of the audiovisual industry
The Belgian fund has implemented action aimed at reducing the environmental impact of audiovisual production

European Film Schools - Educational initiative “Exploring, Cinéma, cent ans de jeunesse!” set to become an Erasmus+ project - 17/05/2022

European Film Schools – 17/05/2022
Educational initiative “Exploring, Cinéma, cent ans de jeunesse!” set to become an Erasmus+ project
For over 25 years, the project has been committed to uniting children and youngsters from many different countries through their love for cinema

Produce – Co-Produce... - 12 European film funds join forces for Ukrainian Films Now - 16/05/2022

Produce – Co-Produce... – 16/05/2022
12 European film funds join forces for Ukrainian Films Now
The fundraising and networking event will unspool at Cannes and aims to back Ukrainian films currently in post-production

Review: Sons of Ramses

Review: Sons of Ramses

CANNES 2022: Karim Leklou shines as a real-false psychic caught in a downward spiral in an excellent social, nocturnal and urban thriller, brilliantly directed by Clément Cogitore  

20/05 | Cannes 2022 | Critics’ Week

Meet Cineuropa @ #Cannes2022 - Take 3

Meet Cineuropa @ #Cannes2022 - Take 3

"Luckily, I saw quite a lot of films that I'm not allowed to talk about!"

In the third episode of our new short video series from this year's Cannes Film Festival, Elena Lazic talks to journalist Kaleem Aftab  

20/05 | Meet Cineuropa/Cannes 2022

RAI Cinema reveals Pietro Marcello’s upcoming project L’ultimo fronte

RAI Cinema reveals Pietro Marcello’s upcoming project L’ultimo fronte

The next documentary by the Italian director will reconstruct the Battle of Stalingrad based on soldiers’ letters  

20/05 | Production | Funding | Italy

Discover Moonday

Co-Production Podcast

Episode 28: The Open Body (Spain/Portugal) - 28/04/2022

28/04/2022
Episode 28: The Open Body (Spain/Portugal)
The producers of Ángeles Huerta's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 27: Ordinary Failures (Czech Republic/Hungary/Italy) - 08/04/2022

08/04/2022
Episode 27: Ordinary Failures (Czech Republic/Hungary/Italy)
The producers of Cristina Grosan's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 26: A Cup of Coffee and New Shoes On (Albania/Greece/Kosovo/Portugal) - 08/03/2022

08/03/2022
Episode 26: A Cup of Coffee and New Shoes On (Albania/Greece/Kosovo/Portugal)
The producers of Gentian Koçi's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 25: Strandzha (Germany/Bulgaria) - 22/02/2022

22/02/2022
Episode 25: Strandzha (Germany/Bulgaria)
The producers of Hristova Pepa's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 24: The Editorial Office (Ukraine/Germany) - 17/02/2022

17/02/2022
Episode 24: The Editorial Office (Ukraine/Germany)
The producers of Roman Bondarchuk's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 23: Captain Volkonogov Escaped (Russia/Estonia/France) - 20/12/2021

20/12/2021
Episode 23: Captain Volkonogov Escaped (Russia/Estonia/France)
The producers of Natasha Merkulova and Aleksey Chupov's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 22: Queens (France/Belgium/ Morocco/Netherlands) - 17/12/2021

17/12/2021
Episode 22: Queens (France/Belgium/ Morocco/Netherlands)
The producers of Yasmine Benkiran's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 21: My Fairy Troublemaker (Luxembourg/Germany) - 16/12/2021

16/12/2021
Episode 21: My Fairy Troublemaker (Luxembourg/Germany)
The producers of Caroline Origer's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Review: Alma Viva

Review: Alma Viva

CANNES 2022: Debuting Portuguese filmmaker Cristèle Alves Meira finds magical realism in a Portuguese mountain village  

20/05 | Cannes 2022 | Critics’ Week

Review: El agua

Review: El agua

CANNES 2022: Elena López Riera makes her feature directorial debut with a fluid film, that organically flows between non-fiction as well as legend, mystery and doom  

20/05 | Cannes 2022 | Directors' Fortnight

Review: Love According to Dalva

Review: Love According to Dalva

CANNES 2022: In her sober and moving first feature film, Emmanuelle Nicot paints the portrait of a child survivor who grew up dramatically too quickly  

20/05 | Cannes 2022 | Critics’ Week

Arthouse cinema in search of an audience

Arthouse cinema in search of an audience

CANNES 2022: The challenge of bringing audiences back after an unprecedented pandemic, which concerns the entire independent industry chain, was the focus of the debate organised by the CNC  

20/05 | Cannes 2022

Photogalleries

Cannes 2022 – Photogalleries - 19/05/2022

19/05/2022
Cannes 2022 – Photogalleries
After two difficult years, the international film industry is finally back on the Croisette for a new, crowded edition of the Cannes Film Festival and its Marché du Film, unspooling from 17-28 May. Discover the festival highlights in our exclusive photo galleries

European Shooting Stars 2022 – Photogallery - 12/02/2022

12/02/2022
European Shooting Stars 2022 – Photogallery
The Shooting Stars are back at the Berlinale! Discover this year's ten emerging European talents who will be presented to the international press, the industry and the public in an exclusive hybrid programme organised by the German festival

Berlinale 2022 – Photogalleries - 10/02/2022

10/02/2022
Berlinale 2022 – Photogalleries
After unspooling virtually owing to the pandemic crisis last year, the Berlinale is now back to its physical format from 10-20 February. Discover the festival highlights in our exclusive photogalleries

Cinémamed 2021 – Photogalleries - 02/12/2021

02/12/2021
Cinémamed 2021 – Photogalleries
Organised from 2-12 December, the Mediterranean Brussels film festival is back to its physical format and ready to celebrate the best European and Mediterranean films. Among the directors presented, Marco Bellocchio, Nabil Ayouch, Antoneta Alamat Kusijanović, Clara Roquet, Tony Gatlif, Jonas Carpignano and many others. Check out our photogalleries here

Black Nights 2021 – Photogalleries - 13/11/2021

13/11/2021
Black Nights 2021 – Photogalleries
One of the most prestigious gatherings of the Nordic-Baltic region, the Tallinn Black Nights Film Festival is set to brighten the dark Estonian winter from 12-28 November with a raft of new independent titles and a rich line-up of industry events. Discover this year’s festival highlights in our exclusive photogalleries

Lecce 2021 – Photogallery - 09/11/2021

09/11/2021
Lecce 2021 – Photogallery
Unspooling from 6-13 November, Lecce European Film Festival is finally back to its physical format and ready to celebrate the best European titles of the year. Check out our photogalleries here

Cinemed 2021 – Photogallery - 23/10/2021

23/10/2021
Cinemed 2021 – Photogallery
One of the most important showcases of Mediterranean cinema, the 43rd edition of Montpellier's Cinemed ran from 15-23 October. Discover this year's festival highlights in our exclusive photogallery

Rome 2021 – Photogalleries - 17/10/2021

17/10/2021
Rome 2021 – Photogalleries
The 16th edition of Rome Film Fest, running from 14-24 October, presented 23 new titles in its main competition. Discover our exclusive photogalleries from some of this year's red carpets

Review: Corsage

Review: Corsage

CANNES 2022: Director Marie Kreutzer and actress Vicky Krieps reunite for this alternative look at the life of Empress Elisabeth of Austria  

20/05 | Cannes 2022 | Un Certain Regard

Hubert Toint and Mark Denessen • Producers, Ginger Pictures

Interview: Hubert Toint and Mark Denessen • Producers, Ginger Pictures

“What matters to us is quality; we don’t want to limit ourselves to a medium, a genre or even a geographic area”

We met up with two of the associates behind the inherently pan-European production company, a joint venture between Benelux and Scandinavia  

20/05 | /Belgium/Denmark

Review: Mariupolis 2

Review: Mariupolis 2

CANNES 2022: Mantas Kvedaravičius died in Mariupol, but the footage he filmed has been salvaged and has now been presented at Cannes as a new feature-length documentary  

20/05 | Cannes 2022 | Special Screenings

Reviews

Eo - by Jerzy Skolimowski

Eo
by Jerzy Skolimowski
CANNES 2022: Poland’s Jerzy Skolimowski proves that donkeys do have layers in this trippy, engaging offering inspired by Bresson

Corsage - by Marie Kreutzer

Corsage
by Marie Kreutzer
CANNES 2022: Director Marie Kreutzer and actress Vicky Krieps reunite for this alternative look at the life of Empress Elisabeth of Austria

Love according to Dalva - by Emmanuelle Nicot

Love according to Dalva
by Emmanuelle Nicot
CANNES 2022: In her sober and moving first feature film, Emmanuelle Nicot paints the portrait of a child survivor who grew up dramatically too quickly

Sons of Ramses - by Clément Cogitore

Sons of Ramses
by Clément Cogitore
CANNES 2022: Karim Leklou shines as a real-false psychic caught in a downward spiral in an excellent social, nocturnal and urban thriller, brilliantly directed by Clément Cogitore

El agua - by Elena López Riera

El agua
by Elena López Riera
CANNES 2022: Elena López Riera makes her feature directorial debut with a fluid film, that organically flows between non-fiction as well as legend, mystery and doom

Plan 75 - by Chie Hayakawa

Plan 75
by Chie Hayakawa
CANNES 2022: Produced by Japan, France and the Philippines, Chie Hayakawa's first feature film deals with the delicate subject of euthanasia in a subtle and slightly futuristic way

Enys Men - by Mark Jenkin

Enys Men
by Mark Jenkin
CANNES 2022: Following his acclaimed breakthrough feature, Bait, Cornish filmmaker Mark Jenkin makes a natural step into eerie folk horror

Harkis - by Philippe Faucon

Harkis
by Philippe Faucon
CANNES 2022: Philippe Faucon’s humble mastery of cinematographic pithiness puts under the microscope the cruel page of history of local soldiers engaged on the French side during the Algerian war

Review: 99 Moons

Review: 99 Moons

CANNES 2022: Jan Gassmann’s movie is a story in chapters about love which transforms into pure obsession and challenges the traditional concept of the heterosexual couple  

20/05 | Cannes 2022 | ACID

Review: Eo

Review: Eo

CANNES 2022: Poland’s Jerzy Skolimowski proves that donkeys do have layers in this trippy, engaging offering inspired by Bresson  

20/05 | Cannes 2022 | Competition

Review: Father and Soldier

Review: Father and Soldier

CANNES 2022: Mathieu Vadepied plunges Omar Sy into the trenches of the First World War, as a father trying by any means necessary to extract his son forcibly enlisted in Senegal  

20/05 | Cannes 2022 | Un Certain Regard

Interviews

Ava Cahen • Artistic director, Critics’ Week

Ava Cahen • Artistic director, Critics’ Week
The new artistic director of Cannes’ Critics’ Week explains her 2022 film selection

Paolo Moretti • Artistic director, Directors’ Fortnight

Paolo Moretti • Artistic director, Directors’ Fortnight
The artistic director of Cannes’ Directors’ Fortnight explains the choices made in the 2022 selection and describes his take on the parallel section’s philosophy

Hubert Toint and Mark Denessen • Producers, Ginger Pictures

Hubert Toint and Mark Denessen • Producers, Ginger Pictures
We met up with two of the associates behind the inherently pan-European production company, a joint venture between Benelux and Scandinavia

Kerem Ayan Deputy Director at Istanbul Film Festival

Kerem Ayan Deputy Director at Istanbul Film Festival
Succesful Film Festival starts from the the programming

Mario Alejandro Arias, Gabriela Alonso and Nicolás Martín • Directors of To Have Time

Mario Alejandro Arias, Gabriela Alonso and Nicolás Martín • Directors of To Have Time
With their first feature film, of hybrid genre and the final project of their studies at ECAM, they have been selected at the Malaga Film Festival and Auteur Film Festival in Barcelona

Milko Lazarov • Head, Union of Bulgarian Filmmakers

Milko Lazarov • Head, Union of Bulgarian Filmmakers
Three years into the job, the head honcho of the Union of Bulgarian Filmmakers gives us his take on the importance of the union’s annual awards and their significance to the local industry

Vladimír Lhoták • Producer, Hausboot Production

Vladimír Lhoták • Producer, Hausboot Production
Already named Producer of the Year at Cartoon for making the biggest and most expensive stop-motion project in Czech history, the producer talks to us about his work across documentary and animation

Ioanna Bolomyti • Producer, Atalante Productions

Ioanna Bolomyti • Producer, Atalante Productions
The Greek producer told us about her upcoming projects and her view on her national film industry

Nine European public funds launch New Dawn to increase diversity in film

Nine European public funds launch New Dawn to increase diversity in film

CANNES 2022: Due to be set in motion at the Marché du Film on 22 May, in its first year, the new joint effort will grant total bursaries of €900,000  

20/05 | Cannes 2022 | Marché du Film

Applications are open for 27 Times Cinema 2022

Applications are open for 27 Times Cinema 2022

Once again this year, Europa Cinemas, the LUX Audience Award and the Giornate degli Autori are inviting 27 young filmgoers to participate in their initiative during the Venice Film Festival  

19/05 | Venice 2022

Meet Cineuropa @ #Cannes2022 - Take 2

Meet Cineuropa @ #Cannes2022 - Take 2

"I try to see as much as I can"

In the second episode of our new short video series from this year's Cannes Film Festival, Elena Lazic talks to freelance journalist Teresa Vena  

19/05 | Meet Cineuropa/Cannes 2022

Trailers/Teasers/Clips

Brother and Sister - by Arnaud Desplechin

Brother and Sister
by Arnaud Desplechin
Cannes 2022 - Competition

Corsage - by Marie Kreutzer

Corsage
by Marie Kreutzer
Cannes 2022 - Un Certain Regard

Love according to Dalva - by Emmanuelle Nicot

Love according to Dalva
by Emmanuelle Nicot
Cannes 2022 - Critics' Week

Summer Scars - by Simon Rieth

Summer Scars
by Simon Rieth
Cannes 2022 - Critics' Week

Plan 75 - by Chie Hayakawa

Plan 75
by Chie Hayakawa
Cannes 2022 - Un Certain Regard

R.M.N. - by Cristian Mungiu

R.M.N.
by Cristian Mungiu
Cannes 2022 - Competition

Alma Viva - by Cristèle Alves Meira

Alma Viva
by Cristèle Alves Meira
Cannes 2022 - Critics' Week

Rodéo - by Lola Quivoron

Rodéo
by Lola Quivoron
Cannes 2022 - Un Certain Regard

Review: Harka

Review: Harka

CANNES 2022: A young Tunisian man strives for a better life than selling contraband petroleum on the streets, in Lotfy Nathan’s debut feature  

19/05 | Cannes 2022 | Un Certain Regard

EXCLUSIVE: Trailer for Cannes ACID title Polaris

EXCLUSIVE: Trailer for Cannes ACID title Polaris

The new feature by Spanish director Ainara Vera, who made her name as the editor of Viktor Kossakovskiy’s Gunda and Aquarela, is a French-Greenlandic documentary  

19/05 | Cannes 2022 | ACID

Review: Les Harkis

Review: Les Harkis

CANNES 2022: Philippe Faucon’s humble mastery of cinematographic pithiness puts under the microscope the cruel page of history of local soldiers engaged on the French side during the Algerian war  

19/05 | Cannes 2022 | Directors’ Fortnight

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Reviews

Rodéo - by Lola Quivoron

Rodéo
by Lola Quivoron
CANNES 2022: Lola Quivoron makes a powerful debut with an original first feature film packed full of ultra-rugged, female-style, wild energy, and set on the fringes of the motocross world

The Woodcutter Story - by Mikko Myllylahti

The Woodcutter Story
by Mikko Myllylahti
CANNES 2022: It’s a bad day to be good in Mikko Myllylahti’s haunting, cruel Finnish fairy tale

Alma Viva - by Cristèle Alves Meira

Alma Viva
by Cristèle Alves Meira
CANNES 2022: Debuting Portuguese filmmaker Cristèle Alves Meira finds magical realism in a Portuguese mountain village

The Eight Mountains - by Felix van Groeningen, Charlotte Vandermeersch

The Eight Mountains
by Felix van Groeningen, Charlotte Vandermeersch
CANNES 2022: What is friendship? What is nature? Felix Van Groeningen and Charlotte Vandermeersch craft a sweepingly romantic film of great visual scope which touches on the essential

Tchaikovsky's Wife - by Kirill Serebrennikov

Tchaikovsky's Wife
by Kirill Serebrennikov
CANNES 2022: Kirill Serebrennikov gives us a disturbing read on the marriage of the venerated 19th-century Russian composer and his devoted spouse, Antonina Miliukova

Industry Reports

New Media – 20/05/2022

At Cannes, experts assess the potential of Europe as a global leader in virtual production

CANNES 2022: The benefits of virtual production and other new, state-of-the art tech will make filmmakers’ lives easier, but they are also set to change a significant part of the production workflow

Distribution, Exhibition and Streaming – 20/05/2022

Arthouse cinema in search of an audience

CANNES 2022: The challenge of bringing audiences back after an unprecedented pandemic, which concerns the entire independent industry chain, was the focus of the debate organised by the CNC

Produce – Co-Produce... – 20/05/2022

Nine European public funds launch New Dawn to increase diversity in film

CANNES 2022: Due to be set in motion at the Marché du Film on 22 May, in its first year, the new joint effort will grant total bursaries of €900,000

Market Trends – 17/05/2022

“Fight for your rights, and your crazy ideas,” say young creators at the latest SAA event

Young audiovisual authors are demanding fair compensation from streamers, and are finding CMOs helpful when pursuing their work and maintaining their artistic freedom

Film Reviews

Privacy Policy

Creative Europe MEDIA