Review: Don Juan

Review: Don Juan

CANNES 2022: Serge Bozon offers up a clever, episodic work in the form of a double-bottomed inversion of the legend of Don Juan, played by Tahar Rahim who’s made vulnerable by a many-faced...  

22/05 | Cannes 2022 | Cannes Première

Review: Forever Young

Review: Forever Young

CANNES 2022: Valeria Bruni-Tedeschi delivers a beautifully mature work, diving back into the vibrant and initiatory, young universe of student-actors at Patrice Chéreau’s Théâtre des Amandiers  

22/05 | Cannes 2022 | Competition

Dominik Moll • Director of The Night of the 12th

Interview: Dominik Moll • Director of The Night of the 12th

"The main character needed to question his own attitude, as a man, towards women"

CANNES 2022: The French-German filmmaker’s new movie is an ensemble police investigation reflecting a frayed society and broken male-female relationships  

22/05 | Cannes 2022 | Cannes Première

Review: Holy Spider

Review: Holy Spider

CANNES 2022: Ali Abbasi, the crazed Iranian-born genius behind the Un Certain Regard winner Border, delivers another masterful work, this time in the main competition  

22/05 | Cannes 2022 | Competition

Co-funded by the European Union - Creative Europe MEDIA
Ukraine

Industry Reports

Distribution, Exhibition and Streaming - Arthouse cinema in search of an audience - 20/05/2022

Distribution, Exhibition and Streaming – 20/05/2022
Arthouse cinema in search of an audience
CANNES 2022: The challenge of bringing audiences back after an unprecedented pandemic, which concerns the entire independent industry chain, was the focus of the debate organised by the CNC

Distribution, Exhibition and Streaming
FOCUS
After two years of the pandemic, the industry is gradually transitioning back to normality, with Cannes and its Marché du Film now in sight. While keeping a close eye on the tragic war unfolding in Ukraine and its effects on the audiovisual industry, Cineuropa continues to provide extensive coverage of the European film business and its most recent developments.

European Policy - MediaInvest set to support European producers - 21/05/2022

European Policy – 21/05/2022
MediaInvest set to support European producers
CANNES 2022: The European Commission has announced a new fund destined for audiovisual producers, endowed with a budget of €400 million for the period 2022-2027

Green Industry Initiatives and Sustainability - At the Marché du Film, panellists discuss the Green Charter and their work on making film festivals more sustainable - 21/05/2022

Green Industry Initiatives and Sustainability – 21/05/2022
At the Marché du Film, panellists discuss the Green Charter and their work on making film festivals more sustainable
CANNES 2022: Reducing waste, preserving nature and going paper-free are only some of the strategies being put in place to protect the environment

New Media - At Cannes, experts assess the potential of Europe as a global leader in virtual production - 20/05/2022

New Media – 20/05/2022
At Cannes, experts assess the potential of Europe as a global leader in virtual production
CANNES 2022: The benefits of virtual production and other new, state-of-the art tech will make filmmakers’ lives easier, but they are also set to change a significant part of the production workflow

Produce – Co-Produce... - Nine European public funds launch New Dawn to increase diversity in film - 20/05/2022

Produce – Co-Produce... – 20/05/2022
Nine European public funds launch New Dawn to increase diversity in film
CANNES 2022: Due to be set in motion at the Marché du Film on 22 May, in its first year, the new joint effort will grant total bursaries of €900,000

Market Trends - “Fight for your rights, and your crazy ideas,” say young creators at the latest SAA event - 17/05/2022

Market Trends – 17/05/2022
“Fight for your rights, and your crazy ideas,” say young creators at the latest SAA event
Young audiovisual authors are demanding fair compensation from streamers, and are finding CMOs helpful when pursuing their work and maintaining their artistic freedom

Green Industry Initiatives and Sustainability - Wallimage: An ECOsystem at the service of the audiovisual industry - 17/05/2022

Green Industry Initiatives and Sustainability – 17/05/2022
Wallimage: An ECOsystem at the service of the audiovisual industry
The Belgian fund has implemented action aimed at reducing the environmental impact of audiovisual production

Review: The Worst Ones

Review: The Worst Ones

CANNES 2022: A very successful first feature for Lise Akoka and Romane Gueret who, with great heart, truth and skill, bring inner-city kids through the looking glass  

22/05 | Cannes 2022 | Un Certain Regard

Review: Triangle of Sadness

Review: Triangle of Sadness

CANNES 2022: Östlund helms a diabolically mischievous “Rubensonade” among the rich and the filthy  

22/05 | Cannes 2022 | Competition

Review: Summer Scars

Review: Summer Scars

CANNES 2022: Simon Rieth sets himself apart with a brilliantly directed first feature, blending realism and fantasy to tell a story about two young brothers bound together by an extraordinary secret  

22/05 | Cannes 2022 | Critics’ Week

Discover Moonday

Co-Production Podcast

Episode 28: The Open Body (Spain/Portugal) - 28/04/2022

28/04/2022
Episode 28: The Open Body (Spain/Portugal)
The producers of Ángeles Huerta's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 27: Ordinary Failures (Czech Republic/Hungary/Italy) - 08/04/2022

08/04/2022
Episode 27: Ordinary Failures (Czech Republic/Hungary/Italy)
The producers of Cristina Grosan's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 26: A Cup of Coffee and New Shoes On (Albania/Greece/Kosovo/Portugal) - 08/03/2022

08/03/2022
Episode 26: A Cup of Coffee and New Shoes On (Albania/Greece/Kosovo/Portugal)
The producers of Gentian Koçi's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 25: Strandzha (Germany/Bulgaria) - 22/02/2022

22/02/2022
Episode 25: Strandzha (Germany/Bulgaria)
The producers of Hristova Pepa's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 24: The Editorial Office (Ukraine/Germany) - 17/02/2022

17/02/2022
Episode 24: The Editorial Office (Ukraine/Germany)
The producers of Roman Bondarchuk's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 23: Captain Volkonogov Escaped (Russia/Estonia/France) - 20/12/2021

20/12/2021
Episode 23: Captain Volkonogov Escaped (Russia/Estonia/France)
The producers of Natasha Merkulova and Aleksey Chupov's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 22: Queens (France/Belgium/ Morocco/Netherlands) - 17/12/2021

17/12/2021
Episode 22: Queens (France/Belgium/ Morocco/Netherlands)
The producers of Yasmine Benkiran's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 21: My Fairy Troublemaker (Luxembourg/Germany) - 16/12/2021

16/12/2021
Episode 21: My Fairy Troublemaker (Luxembourg/Germany)
The producers of Caroline Origer's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Review: R.M.N.

Review: R.M.N.

CANNES 2022: Cristian Mungiu crafts a masterful film, delving to the heart of a tiny Transylvanian village that reflects modern-day evils, and decisions taken on an individual and European level  

22/05 | Cannes 2022 | Competition

Meet Cineuropa @ #Cannes2022 - Take 4

Meet Cineuropa @ #Cannes2022 - Take 4

"When you talk to journalists, for them it really feels like a business trip! You can get used to it"

In the fourth episode of our new short video series from this year's Cannes Film Festival, Elena Lazic talks to journalist Marta Bałaga  

21/05 | Meet Cineuropa/Cannes 2022

Review: Pamfir

Review: Pamfir

CANNES 2022: A Transcarpathian resident breaks the law to help his family in the feature debut by Ukrainian director Dmytro Sukholytkyy-Sobchuk  

22/05 | Cannes 2022 | Directors’ Fortnight

Review: Everybody Loves Jeanne

Review: Everybody Loves Jeanne

CANNES 2022: Blanche Gardin is a force to be reckoned with in Céline Devaux's tale about a woman who didn’t want much in life – she just wanted to save the world  

22/05 | Cannes 2022 | Critics’ Week

Photogalleries

Cannes 2022 – Photogalleries - 19/05/2022

19/05/2022
Cannes 2022 – Photogalleries
After two difficult years, the international film industry is finally back on the Croisette for a new, crowded edition of the Cannes Film Festival and its Marché du Film, unspooling from 17-28 May. Discover the festival highlights in our exclusive photo galleries

European Shooting Stars 2022 – Photogallery - 12/02/2022

12/02/2022
European Shooting Stars 2022 – Photogallery
The Shooting Stars are back at the Berlinale! Discover this year's ten emerging European talents who will be presented to the international press, the industry and the public in an exclusive hybrid programme organised by the German festival

Berlinale 2022 – Photogalleries - 10/02/2022

10/02/2022
Berlinale 2022 – Photogalleries
After unspooling virtually owing to the pandemic crisis last year, the Berlinale is now back to its physical format from 10-20 February. Discover the festival highlights in our exclusive photogalleries

Cinémamed 2021 – Photogalleries - 02/12/2021

02/12/2021
Cinémamed 2021 – Photogalleries
Organised from 2-12 December, the Mediterranean Brussels film festival is back to its physical format and ready to celebrate the best European and Mediterranean films. Among the directors presented, Marco Bellocchio, Nabil Ayouch, Antoneta Alamat Kusijanović, Clara Roquet, Tony Gatlif, Jonas Carpignano and many others. Check out our photogalleries here

Black Nights 2021 – Photogalleries - 13/11/2021

13/11/2021
Black Nights 2021 – Photogalleries
One of the most prestigious gatherings of the Nordic-Baltic region, the Tallinn Black Nights Film Festival is set to brighten the dark Estonian winter from 12-28 November with a raft of new independent titles and a rich line-up of industry events. Discover this year’s festival highlights in our exclusive photogalleries

Lecce 2021 – Photogallery - 09/11/2021

09/11/2021
Lecce 2021 – Photogallery
Unspooling from 6-13 November, Lecce European Film Festival is finally back to its physical format and ready to celebrate the best European titles of the year. Check out our photogalleries here

Cinemed 2021 – Photogallery - 23/10/2021

23/10/2021
Cinemed 2021 – Photogallery
One of the most important showcases of Mediterranean cinema, the 43rd edition of Montpellier's Cinemed ran from 15-23 October. Discover this year's festival highlights in our exclusive photogallery

Rome 2021 – Photogalleries - 17/10/2021

17/10/2021
Rome 2021 – Photogalleries
The 16th edition of Rome Film Fest, running from 14-24 October, presented 23 new titles in its main competition. Discover our exclusive photogalleries from some of this year's red carpets

Review: Continental Drift (South)

Review: Continental Drift (South)

CANNES 2022: Cheerfully blending comedy, political management of migrants and ties to be reforged between a mother and son, Lionel Baier continues his tetralogy on the building of Europe  

22/05 | Cannes 2022 | Directors’ Fortnight

Review: Marcel!

Review: Marcel!

CANNES 2022: The first film directed by Jasmine Trinca takes a personal approach to a strained mother-daughter relationship, offering a nod to silent film  

21/05 | Cannes 2022 | Special Screenings

Review: Diary of a Fleeting Affair

Review: Diary of a Fleeting Affair

CANNES 2022: Emmanuel Mouret applies his analytical and affectionate style to an affair of masked feelings between Sandrine Kiberlain and Vincent Macaigne  

21/05 | Cannes 2022 | Cannes Première

Reviews

Holy Spider - by Ali Abbasi

Holy Spider
by Ali Abbasi
CANNES 2022: Ali Abbasi, the crazed Iranian-born genius behind the Un Certain Regard winner Border, delivers another masterful work, this time in the main competition

Forever Young - by Valeria Bruni Tedeschi

Forever Young
by Valeria Bruni Tedeschi
CANNES 2022: Valeria Bruni-Tedeschi delivers a beautifully mature work, diving back into the vibrant and initiatory, young universe of student-actors at Patrice Chéreau’s Théâtre des Amandiers

R.M.N. - by Cristian Mungiu

R.M.N.
by Cristian Mungiu
CANNES 2022: Cristian Mungiu crafts a masterful film, delving to the heart of a tiny Transylvanian village that reflects modern-day evils, and decisions taken on an individual and European level

Triangle of Sadness - by Ruben Östlund

Triangle of Sadness
by Ruben Östlund
CANNES 2022: Östlund helms a diabolically mischievous “Rubensonade” among the rich and the filthy

Summer Scars - by Simon Rieth

Summer Scars
by Simon Rieth
CANNES 2022: Simon Rieth sets himself apart with a brilliantly directed first feature, blending realism and fantasy to tell a story about two young brothers bound together by an extraordinary secret

The Worst Ones - by Lise Akoka, Romane Gueret

The Worst Ones
by Lise Akoka, Romane Gueret
CANNES 2022: A very successful first feature for Lise Akoka and Romane Gueret who, with great heart, truth and skill, bring inner-city kids through the looking glass

Continental Drift (South) - by Lionel Baier

Continental Drift (South)
by Lionel Baier
CANNES 2022: Cheerfully blending comedy, political management of migrants and ties to be reforged between a mother and son, Lionel Baier continues his tetralogy on the building of Europe

Pamfir - by Dmytro Sukholytkyy-Sobchuk

Pamfir
by Dmytro Sukholytkyy-Sobchuk
CANNES 2022: A Transcarpathian resident breaks the law to help his family in the feature debut by Ukrainian director Dmytro Sukholytkyy-Sobchuk

Clément Cogitore • Director of Sons of Ramses

Interview: Clément Cogitore • Director of Sons of Ramses

"What motivates me is creating enigmas, but instead of trying to solve them, I explore them as fully as possible"

CANNES 2022: The French filmmaker unveils a brilliantly directed, social, urban and nocturnal thriller about a real-fake medium  

21/05 | Cannes 2022 | Critics’ Week

Philippe Faucon • Director of Harkis

Interview: Philippe Faucon • Director of Harkis

"We don’t have goodies on one side and baddies on the other"

CANNES 2022: The French filmmaker hits home once again with a film about local soldiers fighting for the French during the Algerian War  

21/05 | Cannes 2022 | Directors’ Fortnight

MediaInvest set to support European producers

MediaInvest set to support European producers

CANNES 2022: The European Commission has announced a new fund destined for audiovisual producers, endowed with a budget of €400 million for the period 2022-2027  

21/05 | Cannes 2022 | Marché du Film

Interviews

Philippe Faucon • Director of Harkis

Philippe Faucon • Director of Harkis
CANNES 2022: The French filmmaker hits home once again with a film about local soldiers fighting for the French during the Algerian War

Emmanuelle Nicot • Director of Love According to Dalva

Emmanuelle Nicot • Director of Love According to Dalva
CANNES 2022: The Belgian filmmaker talked about her surprisingly luminous portrait of a little 12-year-old girl who will have to take back control of her life story

Dominik Moll • Director of The Night of the 12th

Dominik Moll • Director of The Night of the 12th
CANNES 2022: The French-German filmmaker’s new movie is an ensemble police investigation reflecting a frayed society and broken male-female relationships

Clément Cogitore • Director of Sons of Ramses

Clément Cogitore • Director of Sons of Ramses
CANNES 2022: The French filmmaker unveils a brilliantly directed, social, urban and nocturnal thriller about a real-fake medium

Jan Gassmann • Director of 99 Moons

Jan Gassmann • Director of 99 Moons
CANNES 2022: We talked to the Swiss director, whose latest feature tells the story of two very different people who are unable to live apart

Hubert Toint and Mark Denessen • Producers, Ginger Pictures

Hubert Toint and Mark Denessen • Producers, Ginger Pictures
We met up with two of the associates behind the inherently pan-European production company, a joint venture between Benelux and Scandinavia

Kerem Ayan Deputy Director at Istanbul Film Festival

Kerem Ayan Deputy Director at Istanbul Film Festival
Succesful Film Festival starts from the the programming

Mario Alejandro Arias, Gabriela Alonso and Nicolás Martín • Directors of To Have Time

Mario Alejandro Arias, Gabriela Alonso and Nicolás Martín • Directors of To Have Time
With their first feature film, of hybrid genre and the final project of their studies at ECAM, they have been selected at the Malaga Film Festival and Auteur Film Festival in Barcelona

Review: Brother and Sister

Review: Brother and Sister

CANNES 2022: Arnaud Desplechin disturbs the potent mustiness of a profound and violent sibling hatred rooted way back in the past, and seeks a way to rid the dark family closet of skeletons  

21/05 | Cannes 2022 | Competition

Review: More Than Ever

Review: More Than Ever

CANNES 2022: Emily Atef delivers a wonderful melodrama about the approach of death, whisking us from Bordeaux to Norway in the wake of the charismatic Vicky Krieps and the much-missed Gaspard Ulliel  

21/05 | Cannes 2022 | Un Certain Regard

Review: Aftersun

Review: Aftersun

CANNES 2022: Charlotte Wells demonstrates her potential as a filmmaker with a subtle, sensitive and highly controlled first feature about the holidays of a divorced father and his 11-year-old daughter  

21/05 | Cannes 2022 | Critics’ Week

Trailers/Teasers/Clips

R.M.N. - by Cristian Mungiu

R.M.N.
by Cristian Mungiu
Cannes 2022 - Competition

Triangle of Sadness - by Ruben Östlund

Triangle of Sadness
by Ruben Östlund
Cannes 2022 - Competition

Everybody Loves Jeanne - by Céline Devaux

Everybody Loves Jeanne
by Céline Devaux
Cannes 2022 - Critics' Week

Holy Spider - by Ali Abbasi

Holy Spider
by Ali Abbasi
Cannes 2022 - Competition

Pamfir - by Dmytro Sukholytkyy-Sobchuk

Pamfir
by Dmytro Sukholytkyy-Sobchuk
Cannes 2022 - Directors' Fortnight

Summer Scars - by Simon Rieth

Summer Scars
by Simon Rieth
Cannes 2022 - Critics' Week

Under the Fig Trees - by Erige Sehiri

Under the Fig Trees
by Erige Sehiri
Cannes 2022 - Directors' Fortnight

Continental Drift (South) - by Lionel Baier

Continental Drift (South)
by Lionel Baier
Cannes 2022 - Directors' Fortnight

CineRegio members backed 59 titles from the Cannes selection

CineRegio members backed 59 titles from the Cannes selection

Over half of the competition, Un Certain Regard and the Directors' Fortnight films are supported by the network, which states "decentralised public film funding is key to cultural diversity"  

21/05 | Cannes 2022

Emmanuelle Nicot • Director of Love According to Dalva

Interview: Emmanuelle Nicot • Director of Love According to Dalva

“I wanted to tell the story of the aftermath, where the traumas lodge”

CANNES 2022: The Belgian filmmaker talked about her surprisingly luminous portrait of a little 12-year-old girl who will have to take back control of her life story  

21/05 | Cannes 2022 | Critics’ Week

Jan Gassmann • Director of 99 Moons

Interview: Jan Gassmann • Director of 99 Moons

“My movies are never far away from me; I need to live what I’m writing”

CANNES 2022: We talked to the Swiss director, whose latest feature tells the story of two very different people who are unable to live apart  

21/05 | Cannes 2022 | ACID

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Reviews

Diary of a Fleeting Affair - by Emmanuel Mouret

Diary of a Fleeting Affair
by Emmanuel Mouret
CANNES 2022: Emmanuel Mouret applies his analytical and affectionate style to an affair of masked feelings between Sandrine Kiberlain and Vincent Macaigne

Aftersun - by Charlotte Wells

Aftersun
by Charlotte Wells
CANNES 2022: Charlotte Wells demonstrates her potential as a filmmaker with a subtle, sensitive and highly controlled first feature about the holidays of a divorced father and his 11-year-old daughter

Everybody Loves Jeanne - by Céline Devaux

Everybody Loves Jeanne
by Céline Devaux
CANNES 2022: Blanche Gardin is a force to be reckoned with in Céline Devaux's tale about a woman who didn’t want much in life – she just wanted to save the world

More than Ever - by Emily Atef

More than Ever
by Emily Atef
CANNES 2022: Emily Atef delivers a wonderful melodrama about the approach of death, whisking us from Bordeaux to Norway in the wake of the charismatic Vicky Krieps and the much-missed Gaspard Ulliel

Marcel! - by Jasmine Trinca

Marcel!
by Jasmine Trinca
CANNES 2022: The first film directed by Jasmine Trinca takes a personal approach to a strained mother-daughter relationship, offering a nod to silent film

Industry Reports

European Policy – 21/05/2022

MediaInvest set to support European producers

CANNES 2022: The European Commission has announced a new fund destined for audiovisual producers, endowed with a budget of €400 million for the period 2022-2027

Green Industry Initiatives and Sustainability – 21/05/2022

At the Marché du Film, panellists discuss the Green Charter and their work on making film festivals more sustainable

CANNES 2022: Reducing waste, preserving nature and going paper-free are only some of the strategies being put in place to protect the environment

New Media – 20/05/2022

At Cannes, experts assess the potential of Europe as a global leader in virtual production

CANNES 2022: The benefits of virtual production and other new, state-of-the art tech will make filmmakers’ lives easier, but they are also set to change a significant part of the production workflow

Distribution, Exhibition and Streaming – 20/05/2022

Arthouse cinema in search of an audience

CANNES 2022: The challenge of bringing audiences back after an unprecedented pandemic, which concerns the entire independent industry chain, was the focus of the debate organised by the CNC

Film Reviews

Privacy Policy

Creative Europe MEDIA