The ZagrebDox International Documentary Film Festival has unveiled the full line-up for its 18^th edition, which will run from 3-10 April in its usual location of the Kaptol Cinema in Zagreb. The major documentary event will this year host 86 documentaries across 11 film sections. A total of 35 movies will be participating in the two official competitions – International and Regional – in an effort to win the festival’s Big Stamp Award, while up-and-coming directors under 35 years of age will also be eligible for the Small Stamp Award. This year’s festival programme was presented by festival director and main programmer Nenad Puhovski and producer Hrvoje Pukšec.

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Puhovski mentioned during the presentation: “We are entering adulthood happy and proud to be one of the few festivals that have shown films exclusively in cinemas in these past few, challenging years. With a selection of the best recent films, ZagrebDox continues to open up space, and provide an opportunity to explore and understand the world around us, in all its fullness, through the film medium, meetings at the cinema, conversations and the sharing of emotions.”

The ZagrebDox International Competition is made up of 18 documentaries that touch on various focal points on the geopolitical map of the world. The feature-length titles are: 107 Mothers [+lee también:
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entrevista: Peter Kerekes
ficha de la película] by Peter Kerekes (Slovakia/Czech Republic/Ukraine), 1970 [+lee también:
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entrevista: Tomasz Wolski
ficha de la película] by Tomasz Wolski (Poland), A House Made of Splinters [+lee también:
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ficha de la película] by Simon Lereng Wilmont (Denmark/Ukraine/Sweden), A Night of Knowing Nothing [+lee también:
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entrevista: Payal Kapadia
ficha de la película] by Payal Kapadia (India/France), Ascension by Jessica Kingdon (USA), The Balcony Movie [+lee también:
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entrevista: Paweł Łoziński
ficha de la película] by Paweł Łoziński (Poland), Children of the Misty by Diễm Hà Lệ (Vietnam), Imad's Childhood [+lee también:
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ficha de la película] by Zahavi Sanjavi (Sweden/Latvia/Iraq), Julia&I [+lee también:
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ficha de la película] by Nina Hobert (Sweden/Denmark), Les Enfants terribles [+lee también:
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ficha de la película] by Ahmet Necdet Çupur (France/Germany/Turkey), My Old School [+lee también:
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ficha de la película] by Jono McLeod (UK), Sabaya [+lee también:
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entrevista: Hogir Hirori
ficha de la película] by Hogir Hirori (Sweden), The Story of Looking [+lee también:
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ficha de la película] by Mark Cousins (UK) and the pandemic portmanteau film The Year of the Everlasting Storm.

There are also 17 titles that are included in the Regional Competition of ZagrebDox, seven of which are Croatian productions or co-productions of various lengths. In detail, the feature-length films include Bigger Than Trauma [+lee también:
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entrevista: Vedrana Pribačić, Mirta Pu…
ficha de la película] by Vedrana Pribačić (Croatia), Brotherhood [+lee también:
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entrevista: Francesco Montagner
ficha de la película] by Francesco Montagner (Italy/Czech Republic), The Bubble [+lee también:
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ficha de la película] by Valerie Blankenbyl (Switzerland/Austria), The Building [+lee también:
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ficha de la película] by Goran Dević (Croatia), The Cars We Drove into Capitalism [+lee también:
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ficha de la película] by Georgi Bogdanov and Boris Missirkov (Bulgaria/Croatia/Czech Republic/Denmark/Germany), Dida [+lee también:
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ficha de la película] by Corina Schwingruber Ilić and Nikola Ilić (Switzerland/Serbia), Divas [+lee también:
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ficha de la película] by Máté Kőrösi (Hungary), Four Seasons in a Day [+lee también:
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ficha de la película] by Annabel Verbeke (Lithuania/Croatia/Belgium/Norway), Mlungu - The White King by David Lušičić (Croatia), Mother Lode [+lee también:
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entrevista: Matteo Tortone
ficha de la película] by Matteo Tortone (France/Italy/Switzerland), Reconciliation [+lee también:
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ficha de la película] by Marija Zidar (Slovenia/Serbia/Montenegro/Kosovo), Roots [+lee también:
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entrevista: Tea Lukač
ficha de la película] by Tea Lukač (Serbia), Soldat Ahmet [+lee también:
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ficha de la película] by Jannis Lenz (Austria) and You Are Ceaușescu to Me [+lee también:
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ficha de la película] by Sebastian Mihailescu (Romania).

As always, ZagrebDox will offer more sections than just its competitive ones, and this year, the sidebars include Masters of Dox, Controversial Dox and State of Affairs, along with the Road Dox section curated by Vladan Petković and the Points of View strand curated by Jelena Pašić. Serbian director Želimir Žilnik will have a retrospective dedicated to his films made in Germany in the mid-1970s, while the “author’s evening” belongs to director Katarina Zrinka Matijević, president of this year’s international jury, with a selection of films curated by Diana Nenadić.