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CINEMED 2021

Più di 200 film mediterranei in vetrina a Montpellier

di 

- La 43ma edizione del Festival Cinemed si svolgerà nella città occitana dal 15 al 24 ottobre, con dieci lungometraggi di finzione in lizza per l'Antigone d'oro

Più di 200 film mediterranei in vetrina a Montpellier
Anima bella di Dario Albertini

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Tomorrow will see Thierry de Peretti’s Undercover (victorious in San Sebastián) opening the 43rd Montpellier Mediterranean Film Festival, which is set to unfold between 15 and 24 October with Hafsia Herzi (Good Mother [+leggi anche:
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intervista: Hafsia Herzi
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) as a guest of honour and with retrospectives dedicated to Dusan Makavejev, Luis Buñuel and the Lebanese duo Joana Hadjithomas and Khalil Joreige (Memory Box [+leggi anche:
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).

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Stealing focus among the 200-plus films on the agenda are the ten fiction feature films due to battle it out for the 2021 Antigone d'Or, which will be handed over by a jury led by Italy’s Asia Argento. The works in question are Anima bella by fellow Italian Dario Albertini, the Spanish titles Libertad [+leggi anche:
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intervista: Clara Roquet
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by Clara Roquet (unveiled in Critics’ Week) and The Odd-Job Men [+leggi anche:
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intervista: Neus Ballús
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by Neus Ballús (rewarded in Locarno), As Far As I Can Walk [+leggi anche:
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intervista: Stefan Arsenijević
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by Serbia’s Stefan Arsenijevic (victorious at Karlovy Vary), Hive [+leggi anche:
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intervista: Blerta Basholli
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by Kosovo’s Blerta Basholli (triumphant at Sundance), Luzzu [+leggi anche:
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intervista: Alex Camilleri
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by Maltese director Alex Camilleri (likewise rewarded in Park City), Let It Be Morning [+leggi anche:
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by Israel’s Eran Kolirin (presented in Cannes’ Un Certain Regard section), Costa Brava, Lebanon [+leggi anche:
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by Lebanon’s Mounia Akl (unveiled within the Venice Film Festival’s Orizzonti Extra line-up) and two Egyptian contenders: Souad [+leggi anche:
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by Aytem Amin (discovered within the Berlinale’s Panorama section and rewarded in Tribeca) and Amira by Mohamed Diab (which premiered in Venice’s Orizzonti line-up).

Five other full-length fiction films are set to screen in the Panorama section, including Small Body [+leggi anche:
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intervista: Laura Samani
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by Italy’s Laura Samani, The Inner Cage [+leggi anche:
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intervista: Leonardo Di Costanzo
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by her compatriot Leonardo Di Costanzo, Kerr by Turkey’s Tayfun Pirselimoglu and Streams [+leggi anche:
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intervista: Mehdi Hmili
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by Tunisia’s Mehdi Hmili.

The Documentaries competition will pit nine titles against one another, including May God Be with You by French director Cléo Cohen, Landscapes of Resistance [+leggi anche:
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intervista: Marta Popivoda
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by Serbia’s Marta Popivoda, Divinations [+leggi anche:
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by Italy’s Leandro Picarella, Taming the Garden [+leggi anche:
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intervista: Salomé Jashi
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by Georgian filmmaker Salomé Jashi, Miguel’s War [+leggi anche:
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by Lebanese director Eliane Raheb, All-In [+leggi anche:
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by Belgian-Turk talent Volkan Üce, Little Palestine (Diary of a Siege) [+leggi anche:
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by Palestine’s Abdallah Al-Khatib, The Forgotten Ones [+leggi anche:
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intervista: Michale Boganim
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by Israel’s Michale Boganim and Les Enfants terribles [+leggi anche:
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by Turkish filmmaker Ahmet Necdet Cupur.

A raft of premieres will be rounding off the programme, in the form of A Chiara [+leggi anche:
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intervista: Jonas Carpignano
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by Italy’s Jonas Carpignano, Three Floors [+leggi anche:
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by fellow Italian Nanni Moretti, Parallel Mothers [+leggi anche:
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by Spanish director Pedro Almodóvar, Schoolgirls [+leggi anche:
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intervista: Pilar Palomero
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by his compatriot Pilar Palomero, O fim do Mundo [+leggi anche:
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intervista: Basil Da Cunha
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by Swiss-Portuguese filmmaker Basil da Cunha and the French titles La Traviata, My Brothers and I [+leggi anche:
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by Yohan Manca, The Accusation [+leggi anche:
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intervista: Yvan Attal
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by Yvan Attal, Kung Fu Zohra by Mabrouk El Mechri, Presque by directorial duo Bernard Campan and Alexandre Jollien, and Marine Barnérias’ documentary Rosy.

Likewise worth a mention are the various Special Screenings on the festival agenda, which include that of the animated film The Crossing [+leggi anche:
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by France’s Florence Miailhe and of the documentary Black Notebooks (I: Vivianne & II: Ronit) by Israel’s Shlomi Elkabetz, a competition and a short films overview, sections entitled "Four Italian Western Gems" and "A Night in Hell" (comprised of five films, including Censor [+leggi anche:
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intervista: Prano Bailey-Bond
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by Welsh director Prano Bailey-Bond), a "Children’s Cinemed" section (notably involving Vicky and Her Mystery [+leggi anche:
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by France’s Denis Imbert) and Rose [+leggi anche:
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by Aurélie Saada, which is closing the festival, not to mention the professional Cinemed Meetings event, running 19 to 21 October, which Cineuropa will explore in greater detail very soon.

(L'articolo continua qui sotto - Inf. pubblicitaria)

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